THE characters in Eudora Welty's fiction are fortunate indeed, for they are conceived in kindness, justice and compassion by the imagination that creates them. In Miss Welty's work, the strong and the weak, the magnanimous and the mean alike, in every circumstance retain their human dignity. "I don't have an ounce of revenge in my body," Edna Earle Ponder assures her auditor, and the words may aptly be applied to the author of "The Ponder Heart." The reader, too, enjoys Miss Welty's even-handed bounty. On every page she tacitly gives him credit for being adequately prepared to face the shock of truth, sufficiently enamored of the real to relish its unexpected faces, rational enough to know that reason yields in the end to mystery. Her view of life is not idealized, nor is it tough in the sense of denying mortal existence its proper and inalienable graces. We are safe, in reading a Welty novel, from being dinned at, scolded, hoodwinked, lectured, flattered or condescended to. Secure from malice, anger or contempt, we enjoy a vision of the world depicted with an objectivity which is enriched by warmth and charity. If Eudora Welty has a bias, it springs from affection for the human race.

Three of Miss Welty's novels—"Delta Wedding," "The Ponder Heart" and "The Optimist's Daughter"—unfold through the consciousness of female characters. And these women are also fair-minded and humane. Of course, they present a feminine point of view; but this, in Miss Welty's work, is a matter of perspective which does not involve distortion. For Eudora Welty, showing the action of a novel through a woman's eyes is not an act of aggression but of illumination.