These books appear in a late phase of Lawrence studies—Laird's is the sixth volume on his poetry, Britton's the third on Lady Chatterley's Lover—and both concern the genesis and revision of his works. Laird's method and argument are sound and convincing. She rejects the arrangement of the Collected Poems of 1928, which Lawrence awkwardly divided into "Rhyming Poems" and "Unrhyming Poems," and reordered to give his autobiography