Paul Barolsky

Commonwealth Professor in the McIntire Department of Art at the University of Virginia, Paul Barolsky teaches and writes about Renaissance art and literature. His most recent book, Michelangelo and the Finger of God, was published in 2003 by the Georgia Museum of Art in its Issues in Art History series.

Published in VQR

• The Cheerfulness of Dutch Art, Winter 1999
• Leonardo, Satan, and the Mystery of Modern Art, Summer 1998
• The Fable of Failure In Modern Art, Summer 1997
• The "Meaning" of Vermeer, Summer 1996
• Fables of Art, Spring 1995
• Lord Byron’s Persona, Spring 1994
• The Painter Who Almost Became A Cheese, Winter 1994
• The Vision of Remrrandt, Autumn 1992
• The Metamorphoses of Michelangelo, Spring 1992
• Joyce’s Distant Music, Winter 1989
• The Case of the Domesticated Aesthete, Summer 1984
• Kenneth Clark and the Vision of Criticism, Summer 1983
• Walter Pater’s Renaissance, Spring 1982