• Philip Gould's "My Clandestine Career"
• Raymond Nelson's "Harlem Gallery: An Advertisement and User’s Manual"
• Jane Demouy's "Elegy for Katherine Anne"
• Philip D. Beidler's "Ted Turner et al. at Gettysburg; or, Re-Enactors in the Attic"
• Stories by Philip Gould, Raymond Nelson, Jane Demouy, and Philip D. Beidler
• Poetry by Saigyo, Charles Harper Webb, R. D. Skillings, and Peter Henry

• John Smolens's "In the Desert"
• Richard O'Mara's "The Jesuit Republic of South America"
• David Kirby's "What is a Book?"
• Jeffrey Meyers's "The Hemingways: An American Tragedy"
• Stories by John Smolens, Richard O'Mara, David Kirby, and Jeffrey Meyers
• Poetry by Martha Ostheimer, Nicole Pekarske, Mary Oliver, and Paul Breslin

• PETER BRIDGES's "The Polymath From Vermont"
• Cecil C. H. Cullander's "Why Thomas Mann Wrote"
• Jeffrey Meyers's "Family Memoirs of Thomas Mann"
• Emily Auerbach's "'A Barkeeper Entering the Kingdom of Heaven': Did Mark Twain Really Hate Jane Austen?"
• Stories by PETER BRIDGES, Cecil C. H. Cullander, Jeffrey Meyers, and Emily Auerbach
• Poetry by Stephen Dobyns, Susan Maurer, Dennis Sampson, and Jacquelyn Pope

• John McNeel's "On the Fedala Road"
• David H. Lynn's "Monkeys, Firecrackers, and Dust"
• Louis B. Zimmer's "Jacques Et Francois: Derrida vs. Voltaire"
• Howard P. Segal's "Technology, History, and Culture: An Appreciation of Melvin Kranzberg"
• Stories by John McNeel, David H. Lynn, Louis B. Zimmer, and Howard P. Segal
• Poetry by Robert Morgan, Dennis Sampson, Chana Bloch, and Peter Cooley

• Robert Erwin's "Tax Aversion"
• Jeffrey Meyers's "Gonzo Ginsberg and Moby Dickey: A Memoir"
• Charles East's "Oxford-In-Yoknapatawpha"
• Sanford Pinsker's "Stanley Crouch, Our Black American Mencken"
• Stories by Robert Erwin, Jeffrey Meyers, Charles East, and Sanford Pinsker
• Poetry by Victor Lodato, Marjorie Woodbury, Dana Roeser, and T. Alan Broughton

• Robert Mason's "Surviving the Blue Killer, 1918"
• George Watson's "How to Be An Angel"
• Helen Barolini's "The Shadowy Lady of the Street of Dark Shops"
• Morris Freedman's "From Hellenism to Hebraism, the Essay In Our Time: Gore Vidal and Irving Kristol"
• Stories by Robert Mason, George Watson, Helen Barolini, and Morris Freedman
• Poetry by Lisa Williams, David Wagoner, Ruth Anderson Barnett, and Len Roberts

• Leonard Kriegel's "Wonder Woman In the Land of Good and Plenty: Big Winners and Little Losers"
• Leslie W. Dunbar's "The Final New South?"
• William Palmer's "Sir Richard Southern Looks Back: A Portrait of the Medievalist as a Young Man"
• Merrill Peterson's "My Six Weeks In the Peace Corps: An Armenian Adventure"
• Stories by Leonard Kriegel, Leslie W. Dunbar, William Palmer, and Merrill Peterson
• Poetry by Catherine Sasanov, Mary Helen Detmer, John Donoghue, and Eamon Grennan

• G. Edward White's "The Last Train From Victoria Falls"
• Peter Harris's "Poetry Chronicle: Difficult and Otherwise: New Work By Ruefle, Young, and Aleshire"
• George Watson's "The Birth of Jeeves"
• William Berry's "Personal Politics:American Autobiography"
• Stories by G. Edward White, Peter Harris, George Watson, and William Berry
• Poetry by Charles Harper Webb, Pat Mangan, John Skoyles, and D. Nurkse

• Carol Ascher's "Der Rechte Weg"
• Peter Bridges's "Prince Albert and King Lothar"
• Abe Kriegel's "Up for Grabs"
• Sanford Pinsker's "Reading Faces/Reading Culture, Or How I Brooded About Three Writerly Photographs"
• Stories by Carol Ascher, Peter Bridges, Abe Kriegel, and Sanford Pinsker
• Poetry by Joyce Carol Oates, Stephen Cushman, Janet Sylvester, and David Bottoms

• R. E. Nelson's "Reunion"
• David Wyatt's "The Last Spring At Yale"
• Richard O'Mara's "Jaguar"
• Anthony Winner's "On the Valuing of Narratives"
• Stories by R. E. Nelson, David Wyatt, Richard O'Mara, and Anthony Winner
• Poetry by Mark Halliday, Ronald Wallace, David Ignatow, and John Lane