• Morris Freedman's "My Last Summer Session"
• Edward L. Greenamyre's "The Pitfalls of Symptomatic Empiricism: I Counted So Long and Still Got It Wrong"
• Sholom J. Kahn's "Albert L? Gu?rd (1880-1959): the Styles of A Humanist"
• Brian C. Rosenberg's "Mary Lee Settle and the Critics"
• Stories by Morris Freedman, Edward L. Greenamyre, Sholom J. Kahn, and Brian C. Rosenberg
• Poetry by

• Bill Berry's "Class Southerner"
• Lance Olsen's "The Next Generation In Fiction"
• Nancy Hale's "The Toimi"
• Peter Harris's "Whole Volumes: Quality of Vision In the Work of Sadoff, Bursk, and Hoffmann"
• Stories by Bill Berry, Lance Olsen, Nancy Hale, and Peter Harris
• Poetry by Tom Andrews, Jane Mead, and Lynn Doyle

• George Watson's "The Americanness of American Poetry"
• Russell Fraser's "Monteverdi and the Immorality of Art"
• Samuel Pickering's "Politics"
• Paul Barolsky's "Joyce’s Distant Music"
• Stories by George Watson, Russell Fraser, Samuel Pickering, and Paul Barolsky
• Poetry by Dave Smith, Mark Halliday, Audrey Bohanan, and Roger Fanning

• Frances Mayes's "Islands In Summer"
• William Peden's "Thomas Jefferson: The Man as Reflected in His Account Books"
• James M. Banner's "France and the Origins of American Political Culture"
• Sanford Pinsker's "Modernist Culture, the Cunning of History, and Paul De Man"
• Stories by Frances Mayes, William Peden, James M. Banner, and Sanford Pinsker
• Poetry by Susan Stewart, Ross Taylor, Sandy Solomon, and John Engman

• Helen Barolini's "Horace’s Torte"
• Paul Roazen's "Normality and Nihilism"
• Hank Lazer's "Poetry and Thought: the Example of Czeslaw Milosz"
• Tennant S. Mcwilliams's "John W. Davis and Southern Wilsonianism"
• Stories by Helen Barolini, Paul Roazen, Hank Lazer, and Tennant S. Mcwilliams
• Poetry by Stephen Dunn, Sarah Provost, Ron Smith, and Stanley Moss

• Mildred Raynolds Trivers's "The Storm God"
• Peter Harris's "Poetry Chronicle: Four Salvers Salvaging: New Work By Voigt, Olds, Dove, and McHugh"
• Nancy Huddleston Packer's "The Man Who Said No"
• Arthur F. Kinney's "Flannery O'Connor and the Art of the Holy"
• Stories by Mildred Raynolds Trivers, Peter Harris, Nancy Huddleston Packer, and Arthur F. Kinney
• Poetry by Ira Sadoff, Mark Halliday, Beckian Fritz Goldberg, and Stuart Downs

• David Kirby's "The Sex Lives of the James Family"
• Jean Edward Smith's "General Clay and the Russians: A Continuation of the Wartime Alliance in Germany, 1945-1948"
• James Axtell's "Confessions of A Bibliolater"
• Paul Roazen's "Louis Hartz’s Teaching"
• Stories by David Kirby, Jean Edward Smith, James Axtell, and Paul Roazen
• Poetry by Kathleen Norms, James Applewhite, Debra Bruce, and Daniel Corrie

• Samuel Pickering's "Ink Blots"
• Richard O'Mara's "Recollections of a Nomad"
• William Howard Adams's "The Virginians and the Veneto"
• George Watson's "The Doubting of Skepticism"
• Stories by Samuel Pickering, Richard O'Mara, William Howard Adams, and George Watson
• Poetry by Mary Oliver, Paulette Roeske, Thomas Lux, and Kelly Rowe

• Marie Borroff's "Rafting Down the Grand Canyon: A Meditation"
• Howard Wolf's "Television, Theory, and the Avant-Garde: Johnny, the Colonel, and Late Modernism"
• Peter Harris's "A Shelter, A Kingdom, A Half Promised Land: Three Poets In Mid-Career"
• Stephen Railton's "Jim and Mark Twain: What Do Dey Stan' For?"
• Stories by Marie Borroff, Howard Wolf, Peter Harris, and Stephen Railton
• Poetry by Greg Kuzma, Sidney Wade, Michael McFee, and Peter Desy

• Robert Mason's "His Brother Joe 1914?1964"
• Russell Fraser's "Wadi-Bashing In Arabia Deserta"
• W. D. Ehrhart's "Soldier-Poets of the Vietnam War"
• Hugh Davis Graham's "The Paradox of Eleanor Roosevelt: Alcoholism’s Child"
• Stories by Robert Mason, Russell Fraser, W. D. Ehrhart, and Hugh Davis Graham
• Poetry by Joyce Carol Oates, Ellen Bryant Voigt, W. D. Ehrhart, and Karin Ash