Casey Clabough

As strange as it might seem, these issues and revelations are not particularly new or unrecognized in the literature of the American South, a regional genre of writing long conversant with the pressures and complexities of national and, increasingly, international discourses and economies. After all, with the notable exceptions of university presses and marvels such as Algonquin Books, it is to the large (inter)national presses and the still-dominant literary region of the Northeast that southern writers continue to turn, and often move into, in the hopes of garnering publication and reputation. This long-standing diasporic intellectual trend—lamented by writers as far apart in chronology and sensibility as William Gilmore Simms and Lee Smith—also manifests itself on the international level, as witnessed by Faulkner conferences in China and the odd phenomenon of Christine Chaufour-Verheyen’s work of criticism William Styron: Le 7e jour appearing in France as a mass-market paperback and outselling hosts of novels.