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S. S. Koteliansky

Author

More Letters of Dostoevsky

Autumn 1926 | Essays

Translated from the Russian and Edited by S.S. Koteliansky

I

One of Dostoevsky's early letters has recently been published in Russia. It gives quite a clear picture of his state of mind during the first years of his literary activity.

With his "Poor Folk," completed by him in the spring of 1845 (when he was 24), and published in January, 1846, in Nekrasov's Peterburgsky Sbornik, Dostoevsky all at once became a literary celebrity. The manuscript of "Poor Folk" was taken by a friend of his to Belinsky, the leading critic, who was so enthusiastic over it that he declared that a new genius had arisen in Russian literature, and prophesied a brilliant future for Dostoevsky. Belinsky also published an article in the Otechestvennya Zapiski in 1845 praising Dostoevsky to the skies.

From Rosanov’s Note Book

(Fallen Leaves: Second Installment) Of Ryleyev it is related that "whatever the weather might be" he walked every morning and prayed at the tomb of Alexander II, whose aide-decamp he had been. He was an ordinary man—he even had a Fre [...]

New Letters of Dostoevsky

Summer 1926 | Essays

Translated from the Russian and Edited by S.S. Koteliansky

The whole year of 1878 Dostoevsky spent in writing "The Brothers Karamasov." The serial publication of the novel and continuous work on it took him another two years, 1879 and 1880.

"The Brothers Karamasov" was published in the Russky Vestnik (NN. 1, 2, 4, 5, 6, 8, 9, 10 and 11 of 1879; NN. 1, 4, 7, 9,10 and 11 of 1880). These hitherto unpublished letters were written during the years 1879-1881 to N. A. Lin-bimov, the associate editor of the Russky Vestnik.

Staraia Roussa, May 10, 1879.

 . . . This book, "Pro and Contra," is in my view the culminating point of the novel, and it must be finished with particular care. Its idea, as you will see from the text I have sent you, is the presentation of extreme blasphemy and of the seeds of the idea of destruction at present in Russia among the young generation that has torn itself away from reality.