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The Merry-Go-Round


ISSUE:  Winter 1941

Characters in the Play

  • Mrs. Hemstock
  • Nurse Broadbanks
  • Mr. Hemstock
  • Harry Hemstock
  • Baron Rudolf Von Ruoe
  • The Baker, Job Arthur Bowers
  • Mrs. Susy Smalley
  • Dr. Foules
  • Rachel Wilcox
  • Baroness Von Ruoe
  • Mr. Wilcox

ACT I

Scene I

The downstairs front room of a moderate-sized cottage. There is a wide fireplace, with a heaped-up ashy fire. The parlor is used as a bedroom, and contains a heavy old-fashioned mahogany dressing table, a washstand, and a bedstead whose canopy is missing, so that the handsome posts stand like ruined columns. The room is in an untidy, neglected condition, medicine bottles and sickroom paraphernalia littered about. In the bed, a woman between sixty and seventy, with a large-boned face, and a long plait of fine dark hair. Enter the parish Nurse, in uniform, but without cloak and bonnet. She is a well-built woman of some thirty years, smooth-haired, pale, soothing in manner.

Mrs. Hemstock
Eh, Nurse, I’m glad to see thee. I han been motherless while thou’s been awny.
Nurse
Haven’t they looked after you, Mrs. Hemstock?
Mrs. Hemstock
They hanna, Nurse. Here I lie, day in, day out, like a beetle on my back, an’ not a soul comes nigh me, saving th’ Mester, when ‘e’s forced. An’ ‘im. (She points to mirror of dressing table.)
Nurse
Who is that, Mrs. Hemstock?
Mrs. Hemstock
Canna ter see Mm? That little fat chap as stands there laughing at me.
Nurse
There’s no little fat chap, Mrs. Hemstock.
Mrs. Hemstock
There is an’ a’. He’s bobbing a’ thee now.
Nurse
who has been rolling up her sleeves, showing a fine white arm, throws her rolled cuffs at the mirror.
Nurse
Then we’ll send him away.
Mrs. Hemstock
Nay, dunna thee hurt him. ‘E’s nowt but a little chap!
Nurse
I’ll wash you, shall I?
Mrs. Hemstock
Tha nedna but gi’ me a catlick. I’m as snug as a bug in a rug.
Nurse
(laughing) Very well. (She goes into the kitchen.) mrs. hemstock (calling)’. Who’s in there, Nurse?
Nurse
There’s nobody, Mrs. Hemstock.
Mrs. Hemstock
I bet he’s gallivanting off after some woman.
Nurse
(calling) Who?
Mrs. Hemstock
Why, our Mester. ‘E’s a ronk ‘un, I can tell you. ‘As our Harry done it?
Nurse
Done what, Mrs. Hemstock?
Mrs. Hemstock
Cut ‘is throat. ‘E’s allers threatenin’!
Nurse
(entering with a jug of hot water) What! You’re not serious, Mrs. Hemstock.
Mrs. Hemstock
Aren’t I? But I am. An’ ‘e’ll do it one o’ these days, if ‘e’s not a’ready. I ‘avena clapped eyes on him for five days.
Nurse
How is that?
Mrs. Hemstock
Eh, dunna ax me. ‘E niver comes in if ‘e can ‘elp it.
Nurse
How strange! Why is it, do you think?
Mrs. Hemstock
Summat’s gen ‘im mul-ligurles. ‘E’ll not live long.
Nurse
What! Harry? He’s quite young, and has nothing the matter, has he?
Mrs. Hemstock
You know, Nurse, I ‘as a fish inside me. I wor like Jonah back’ards. I used ter feci it floppin’ about in my inside like a good ‘un, an’ nobody’d get it out—
Nurse
But Harry hasn’t got a fish in his inside—
Mrs. Hemstock
‘E ‘asna—but I believe ‘e’s got a leech.
Nurse
Oh!
Mrs. Hemstock
Dunna thee wet my ‘air, Nurse—it ma’es it go grey.
Nurse
(smiling) Very well, I’ll be careful. But what makes you say Harry has a leech in his inside?
Mrs. Hemstock
On ‘is ‘eart. ‘Asn’t ter noticed ‘e gets as white-faced as a flat fish? It’s that.
Nurse
Oh, and did he swallow it?
Mrs. Hemstock
‘E didna. ‘E bred it like a mackerel’s head breeds maggots.
Nurse
How dreadful!
Mrs. Hemstock
When you’ve owt up with you, you allcrs breed suramat.
Nurse
And what was up with Mr. Hemstock?
Mrs. Hemstock
With our Mester?
Nurse
With Harry.
Mrs. Hemstock
You knowed, didna you, as ‘c’d had ructions wi’ Rachel Wilcox?
Nurse
No.
Mrs. Hemstock
Oh, yes. ‘E fell off ‘is bike eighteen month sin’, a’most into her lap, an’ ‘er’s been sick for ‘im ever sin’.
Nurse
But he didn’t care for her?
Mrs. Hemstock
I dunno. ‘E went out wi’ ‘er for about twelve month—but ‘c never wanted ‘er. ‘E’s funny, an’ allers ‘as been.
Nurse
Rather churlish?
Mrs. Hemstock
No—’e wor allers one o’ the’ lovin’ sor’ when ‘c wor but a lad, ‘d follow me about, and “Mammy” me.
Nurse
But he got into bad ways—
Mrs. Hemstock
Well, I got sick of him stormin’ about like a cat lookin’ for her kittens, so I hustled him out. ‘E began drinkin’ a bit, an’ carryin’ on. I thought ‘e wor goin’ to be like his father for women. But ‘e wor allers a mother’s lad—an’ Rachel Wilcox cured him o’ women.
Nurse
She’s not a nice girl.
Mrs. Hemstock
‘E’d only ter stick ‘is ‘ead out of the door an’ ‘er’d run like a pig as ‘ears the bucket. ‘Er wor like a cat foriver slidin’, rubbin’ ‘erself against him.
Nurse
How dreadful!
Mrs. Hemstock
But I encouraged ‘er. I thought ‘e wor such a soft ‘un, at ‘is age, a man of thirty!
Nurse
Was he always quiet?
Mrs. Hemstock
Eh, bless you. ‘E’d talk the leg off an iron pot, once on a day. But now, it’s like pottering to get a penny out of a money box afore you can get a word from ‘im edgeways.
Nurse
And he won’t come to see you.
Mrs. Hemstock
Not him! ‘E once had a rabbit what got consumption, an’ ‘e wouldn’t kill it, nor let me, neither would he go near it, so it died of starvation, an’ ‘e throwed a hammer at me for telling him so. You see-harsh! That’s our Mester.
Nurse
Yes. Do I hurt you? They’ve let your hair get very cottered.
Mrs. Hemstock
Get it out, Nurse—never mind me.

Enter Mr. Hemstock, a very white-haired old man, clean shaven, with brown eyes. There is a certain courtliness in his quiet bearing.

Mr. Hemstock
I’m glad to see you back, Nurse—very glad. (He bows by instinct.)
Nurse
Thank you, Mr. Hemstock. I’m pleased to see you again.
Mrs. Hemstock
(to her husband) Tha’rt not ‘alf as glad to see her as I am. ‘Ere I lie from hour to hour, an’ niver a sound but cows rumblin’ and cocks shoutin’. An’ where dost reckon tha’s been? Tha’s been slivin’ somewhere like a tomcat, ever sin’ breakfast.
Mr. Hemstock
(to Nurse) I’ve been gone ten minutes. (To his wife.) I’ve on’y been for a penn’orth of barm ter ma’e thee some barm dumplings.
Mrs. Hemstock
An’ wheer’s our Harry?
Mr. Hemstock
He’s in garden, diggin’.
Mrs. Hemstock
What are ter out o’ breath wi’?
Mr. Hemstock
I’ve been runnin’ our Susy’s kids. They was drivin’ our fowls again.
Mrs. Hemstock
Tha shouldna ha’ wanted ter come here, a mile away from anybody but our Susy.
Nurse
It is rather lonely—only Mrs. Sraalley’s farm and your cottage. And the children are rather wild.
Mrs. Hemstock
Let me live in a street. What does colliers want livin’ in country cottages, wi’ nowt but fowls an’ things shoutin’ at you or takin’ no notice of you, as if you was not there? mr. hemstock (to nurse) I We came for the garden.
Nurse
I suppose you are still on strike.
Mr. Hemstock
There’s talk of settlement. I see they’re opening some of the pits. But I’ve done, you know.
Nurse
Of course you have, Mr. Hemstock. Harry will be glad to begin, though.
Mr. Hemstock
I’m afraid whether ‘e’ll get a job. You see—
Mrs. Hemstock
What hast got for dinner?
Mr. Hemstock
Roast pork, rushes, barm dumplings.
Mrs. Hemstock
Then look slippy about gettin’ it ready. I’m clammin’. Ha’ thy heels crack.
Mr. Hemstock
(to nurse) You wouldn’t think she’d been bedfast thirteen month, would you?
Mrs. Hemstock
Tha nedna ha’e none o’ thy palaver wi’ Nurse. Nurse, ta’e no notice o’ a word ‘e says, (hemstock goes out.)
Mrs. Hemstock
He’s a good cook, and that’s all you can say for him.
Nurse
I think he’s very good to you, Mrs. Hemstock.
Mrs. Hemstock
He’s too busy runnin’ after a parcel o’ women to be good to me.
Nurse
If all men were as good—
Mrs. Hemstock
Tha’s niver had him to put up wi’. Tha’s niver been married, ‘as ter?
Nurse
No, Mrs. Hemstock.
Mrs. Hemstock
A man’s fair enough to you’ face—if ‘e’s not as fow as a jackass; but let you’ back be turned, an’ you no more know what’s in his breeches an’ waistcoat than if ‘e wor another man.
Nurse
Oh, Mrs. Hemstock!
Mrs. Hemstock
Yes, an’ tha’ll “oh” when tha knows.
Nurse
I’m sure you’re getting tired. Won’t you have your bed made?
Mrs. Hemstock
Sin’ it’s gone that long, it might easy go a bit longer.
Nurse
Why, when was it made last?
Mrs. Hemstock
How long has thee been gone away?
Nurse
Three weeks.
Mrs. Hemstock
Then it’s that long.
Nurse
Oh, what a shame! Wouldn’t Mrs. Smalley do it?
Mrs. Hemstock
Our Susy! ‘Er’d better not show ‘er face inside that door.
Nurse
What a pity she’s so quarrelsome! But you will have it made?
Mrs. Hemstock
I know tha’ll whittle me to death if I dunna. Does tha like roast pork?
Nurse
Fairly. Now, shall I lift you onto the couch?
Mrs. Hemstock
No, tha wunna. I want na droppin’ an’ smashin’ like a pot. I’m nowt but noggins o’ bone, like iron bars in a paper bag. Eh, if I wor but the staunch fourteen stone I used to be.
Nurse
You’ve been a big woman.
Mrs. Hemstock
I could ha’ shadowed thee an’ left plenty to spare. How heavy are ter, Nurse?
Nurse
I don’t know—about ten and a half stone. Will Mr. Hemstock lift you, then?
Mrs. Hemstock
I say, Nurse—just look under the bed, atween th’ bed slats at th’ bottom corner, an’ see if tha can see th’ will.
Nurse
(doubtful) What! (She stoops dubiously.)
Mrs. Hemstock
Right hand corner. I told the doctor to put it there. Canna ter see it?
Nurse
Oh, yes, here it is. (She reappears with an envelope.)
Mrs. Hemstock
That’s it—it’s fastened safe. It’s a new will, Nurse. I made ‘em do it while tha wor away— doctor and Mr. Leahy.
Nurse
Oh, yes—
Mrs. Hemstock
An’ I’m not goin’ ter lia’e none on ‘em gleggin’ at it. I know our Susy often has a bit of a rummage, but I’m sharper than ‘er thinks for.
Nurse
And what shall I do with it, Mrs. Hemstock?
Mrs. Hemstock
Why, get upon th’ table, an’ look if there isna a hole in top o’ the bedpost, at th’ head there, where a peg used ter fit in.
Nurse
(climbing up) Yes, there is.
Mrs. Hemstock
Then roll it up, an’ shove it in. On’y leave a scroddy bit out.
Nurse
That’s done it, then.
Mrs. Hemstock
Tha’ll know where it is, then. Tha ought, tha’s been more to me than any of my own for these twelve month.
Nurse
Oh, Mrs. Hemstock, I hope—
Mrs. Hemstock
Nay, tha ncdna— tha’rt knowin’ nowt, I tell thee. How much dost reckon I’ve got, Nurse?
Nurse
I don’t know, Mrs. Hemstock.
Mrs. Hemstock
Over five hundred, I can tell thee. I made ‘cm in a little shop as I had in Northrop when the colleries hadna started long—an’ I did well—an’ so did our Mester—an’ so ‘as th’ lads done—
Nurse
It is a good thing, for now they’re both out of work they’d have nothing.
Mrs. Hemstock
Oh, our Harry’s got a bit of his own, an’ our Mester’s got about a hundred. It’ll keep ‘em goin’ for a bit, wi’out mine.
Nurse
You are queer, Mrs. Hemstock.
Mrs. Hemstock
Ha, that’s what they say about th’ Almighty—they canna ma’e Him out. But I’ll warrant He knows His own business, as I do.
Nurse
Oh, Mrs. Hemstock.
Mrs. Hemstock
Yes, an’ I want ray bed makin’, dunna I? Shout our Harry. Harry! Harry!

After a moment, Harry enters: A man of moderate stature, rather strongly built: dark hair, heavy, dark mustache, pale, rather hollow cheeks, dangerous-looking brown eyes. A certain furious shrinking from contact makes him seem young, in spite of a hangdog, heavy slouch.

Harry
(to his mother—in broad dialect) What’s want?
Mrs. Hemstock
I s’d think it is “What’s want” an’ I hanna set eyes on thee for pretty nigh a week. Tha’ll happen come to lie thyself, my lad, an’ then tha can think o’ me hours an’ hours by mysen.
Harry
What’s want?
Mrs. Hemstock
An’ why art paddlin’ about in thy stockin’ feet for? Tha ‘asna gumption enough ter put thy slippers on, if ter’s been i’ th’ garden. Nurse, gi’ me a drop o’ brandy. (She lies back exhausted, Nurse administers.)
Nurse
Your mother wants lifting onto the couch, Mr. Hemstock. (He comes forward.) Perhaps you will wash your hands in this water, will you—(He obeys sullenly.)
Mrs. Hemstock
Tha’d better wesh ‘em for ‘im, Nurse, ‘e’s nowt but a baby. ‘As ‘er catehed thee yet? (He does not answer.) ‘E dursna go round th’ corner, Nurse, for fear of a bogey— durst ter, eh? ‘E’s scared to death of a wench, so ‘e goes about wi’ a goose.

A goose comes paddling into the room and wanders up to Harry.

Nurse
Hullo, Patty! You dear old silly.
Mrs. Hemstock
Dost like ‘er, Nurse?
Nurse
She’s a dear old thing.
Mrs. Hemstock
Then tha’ll like him. He’s just the same: soft, canna say a word, thinks a mighty lot of himself, an’s scared to death o’ nowt.
Nurse
Oh, Mrs. Hemstock!
Mrs. Hemstock
I canna abide a sawney.
Nurse
Are you ready, Mr. Hemstock?

He comes forward, Nurse wraps Mrs. Hemstock in a quilt.

Mrs. Hemstock
To think as I should be crippled like this!
Nurse
Yes, it is dreadful.

Harry lifts his mother—Nurse showing him how.

Mrs. Hemstock
Tha’s got fingers like gre’t tree-roots.

Nurse shows him how to place his hands. Then she lifts the trailing quilt and follows him to the couch.

Mrs. Hemstock
(rather faintly) I canna abide to feel a man’s arms shiverin’ agen me. It ma’es me feel like a tallywag post hummin’.
Nurse
There, be still—you are upset. I’m sure Mr. Hemstock did it gently. (She stoops and strokes Patty, who is crouched near the bed. Harry moves as if to go.) Will you fetch clean sheets and pillow slips—be quick, will you? (Harry goes out. Nurse begins to make the bed.)
Mrs. Hemstock
Isna ‘e like that there goose, now?
Nurse
Well, I’m sure Patty’s a very lovable creature.
Mrs. Hemstock
I’m glad tha thinks so. It’s not many as can find in their heart to love a gaby like that.
Nurse
Poor Patty!
Mrs. Hemstock
An’ that other hussy on’y wants him cause she canna get him.
Nurse
It’s often the case.
Mrs. Hemstock
It is wi’ a woman who’s that cunning at kissin’ an’ cuddlin’ that a man ‘ud run after ‘er a hundred miles for the same again.
Nurse
Is she clever, then?
Mrs. Hemstock
She melts herself into a man like butter in a hot tnter. She ma’es him feel like a pearl button swimmin’ away in hot vinegar, That’s what I made out from ‘im.
Nurse
She’s not a nice girl.
Mrs. Hemstock
An’ ‘e hated her cause I shoved him at her.
Nurse
But you don’t care for her, surely.
Mrs. Hemstock
Canna bear her. A pussy cat always rubbin’ ‘erself agen a man’s legs—an’ one o’ the quiet sort. But for all that, I should like to see him married afore I die. I dunna like, Nurse, leavin’ ‘im like ‘e is. ‘E wor my darlin’.
Nurse
(softly) Yes.
Mrs. Hemstock
An’ ‘e niver wor a drunkard, but ‘e’s the makin’s of one.
Nurse
Surely not—oh, how dreadful! Enter harry with bedding. He helps Nurse shake up and make the bed.
Nurse
How sweet the sheets are! They were aired on the currant bushes. Did Mrs. Smalley wash them?
Mrs. Hemstock
Our Susy! Not likely. She’d never do a hand’s turn. I expect our Harry there weshed ‘em— an’ ‘is father. Dunna look so; canna ter answer a bit of a question? (He does not ansxoer.) ‘E looks as if ‘e’d swallowed a year o’ foul weather.
Nurse
Hem at the top. (She stumbles over Patty.) Oh, poor Patty—poor old bird! Come here then, you dear old thing—did I hurt you?
Mrs. Hemstock
Tha’s more fondness for that goose than I han, Nurse. It’s too much like him. Birds of a feather flock together.
Nurse
You include me.
Mrs. Hemstock
If tha likes.
Nurse
It’s not a compliment.
Mrs. Hemstock
It isna. Tlia’rt a lady, an’ han a lady’s time, an’ tha’rt a fool if tha changes.
Nurse
I am not so sure—
Mrs. Hemstock
Tha gets a good wage, an’ th’ minute tha enters a house everybody gets up to run about after thee. What more dost want?
Nurse
I don’t know.
Mrs. Hemstock
No, I s’d think tha doesna.
Nurse
Sometimes I get tired, and then —I wish—I wish I’d somebody to fad after me a bit. I nurse so many people, and—
Mrs. Hemstock
Tha’d like nurshV thysen. Eh, bless you, a man’s knee’s a chair as is soon worn out.
Nurse
It’s not that—I should like a home of my own, where I could be private. There’s a lonely corner in most of us that not all the friends in the world can fill up—
Mrs. Hemstock
And a husband only changes a lonely corner into a lonely house.
Nurse
Perhaps so. But I should like to be able to shut my own doors, and shut all the world out, and be at home, quiet, comfortable.
Mrs. Hemstock
You’d find you shut the door to stop folks hearing you crying.
Nurse
(bending down and stroking Patty) Perhaps so.
Mrs. Hemstock
Tha art fond o’ that bird.
Nurse
(flushing) I am.
Mrs. Hemstock
If I wor thee, our Harry, I wouldna let Patty beat me, even.
Harry
What dost mean?
Mrs. Hemstock
Stroke him, Nurse—and say “Poor old Harry.”
Nurse
Mr. Hemstock will have a grudge against me if you slate him so in my presence.
Mrs. Hemstock
And would it grieve thee?
Nurse
I should be sorry.
Mrs. Hemstock
(after a pause—vehemently) Ha, if he worn’t such a slow fool! Can thee lift me back, Nurse?
Nurse
Won’t you let Mr. Hemstock—?
Mrs. Hemstock
No—thee do it. (Exit harry.) Did ter niver ha’e a sweetheart, Nurse?
Nurse
Yes—when I was in the hospital. He was a doctor.
Mrs. Hemstock
An’ where is he?
Nurse
He was too good for me, his mother said, and so—
Mrs. Hemstock
Tha’rt well rid o’ such a draggletail. How long is it since?
Nurse
Eight years.
Mrs. Hemstock
Oh, so tha’rt none heartbroken. We’n got a new assistant. I like him better than the owd doctor. His name’s Foules.
Nurse
What!

CURTAIN

Scene II

Time: the same. The kitchen of Hemstock’s house, a large, low, old-fashioned room. Fowls are pecking on the floor, Harry, in a coarse apron, is washing the floor, Mr. Hemstock, at the table, is mixing flour in a bowl.

Mr. Hemstock
Who wor that scraightin’ a bit sin’ ?
Harry
Our Susy’s kid.
Mr. Hemstock
What for?
Harry
I fetched him a wipe across th’ mouth.
Mr. Hemstock
There’s more bother then—
Harry
He was settin’ that dog on th’ fowls again.
Mr. Hemstock
We s’ll be having her round in a tear, directly, then.
Harry
Well, I’m not— There is a knock: and in the open doorway at the back a little, withered, old clergyman, the baron, is seen.
Baron
How is the sick woman this morning? (He speaks with a very foreign German accent.)
Mr. Hemstock
I think she’s middlin’, thank you.
Baron
I will go and see her, and speak to her.
Harry
We’ve told you a dozen times er na wants you.
Baron
It is my duty that I shall go—
Harry
(rising from his knees) Tha are na—!
Baron
I am the vicar of this parish. I am the Baron von Ruge. I will do my duty—
Harry
(confronting him) Tha’rt na goin’ to bother her. Her na wants thee.
Baron
Stand clear of my way, sir— I will go, I will not be barred, I will go to her, I will remind her—
Harry
(frustrating his efforts) ‘Er na wants thee—

He suddenly moves: the Baron rushes into Patty. The goose flaps and squawks and attacks him. The Baron retreats hastily. Enter Nurse.

Nurse
Whatever is the matter?
Mr. Hemstock
It’s Patty haulin’ the Baron out—
Nurse
Oh dear—how dreadful!
Mr. Hemstock
‘E’s bin plenty of times, an’ every time our Harry tells ‘im as Missis won’t be bothered wi’ him—
Nurse
What a pity she won’t see him. Don’t you think if you let him go—
Harry
Ask ‘er thysen if ‘er wants ‘im —an’ if ‘er doesna want ‘im, ‘e’s na goin’—
Nurse
But what a pity—!
Mr. Hemstock
You can’t make heads or tails of what ‘e says. I can’t think what they want wi’ a bit of a German Baron bein’ a vicar in England—in this country an’ a’, where there wants a bluff man.
Nurse
He’s a Polish nobleman, Mr. Hemstock, exiled after fighting for his country. He’s a brave man, and a good gentleman. I like him very much.
Mr. Hemstock
He treats you as if you was dirt, an’ talks like a chokin’ cock—
Harry
An’ ‘e’s na goin’ pesterin’ ‘er when ‘er doesna want ‘im.
Nurse
Well, of course you know best —but don’t you think Mrs. Hemstock ought to see a minister? I think— (Enter the baker, a big, stout, pale man of about forty.)
Baker
Been havin’ a shindy with the Baron?
Mr. Hemstock
He wants to see the Missis, an’ we not let him.
Baker
You’d best keep th’ right side of ‘im. (He swings his large basket, which he carries sackwise on his shoulder, down to a chair.) The strike is settled, an’ th’ men’s goin’ back on the old terms.
Nurse
Oh, I’m so glad.
Baker
Fisher’s a deep ‘un. The Company’ll know yet as they’ve got a manager.
Nurse
(to Harry) So you’ll be going back to work soon, Mr. Hemstock. You will be glad.
Mr. Hemstock
Me—I s’ll never work again. An’ it’s doubtful as our Harry won’t get on—
Baker
They gave you a place before the strike, didn’t they, where you had to work you inside out for about fifteen shillings a week?
Harry
Ha. (He goes out.)
Mr. Hemstock
Yes, they treated him very shabbily.
Baker
I bet it was th’ owd Baron. He’s a good hand at having your eye for a word, an’ your tooth for a look. I bet Harry’ll get no job—
Mr. Hemstock
No, I’m afraid ‘e wunna. The Baron will go down to Fisher—
Baker
And Harry can go down to— his godfather, eh, Nurse?
Nurse
I don’t understand.
Baker
Old Harry.
Mr. Hemstock
I hope to goodness ‘e will get something to do, else ‘e’ll mope himself into the cut, or the ‘sylum, afore long.
Baker
Oh, it’s love what’s upset him, isn’t it? Rachel Wilcox was too much for his stomach—
Mr. Hemstock
I dunno what it is.
Baker
She’s a bit of a ronk ‘un. She was his first cigar, an’ it’s left him sick yet. She’s not half bad, you know, if you can stand ‘em strong, (Nurse goes out.) I’ve scared Nurse off.— But Harry’s got a bit of a thin stomach, hasn’t he? Rachel’s not a half bad little ha-p’orth.
Mr. Hemstock
Some’s got a stomach for tan-tafflins, an’ some ‘ud rather ha’e bread an’ butter—
Baker
And Rachel’s creamy—she’s a cream horn of plenty — eh, what?
Mr. Hemstock
A bit sickly.
Baker
I dunno—it ‘ud take a lot o’ rich food to turn me. How many—?
Mr. Hemstock
One of yesterday’s bakin’, please.

Baker sets the loaf on the table.

Baker
Your Susy wa’nt in—I wonder what she wants. Where is she, do you know ?
Mr. Hemstock
She’ll be somewhere lookin’ after th’ land.
Baker
I reckon she makes a rare farmer.
Mr. Hemstock
Yes.
Baker
Bill left the place in a bit of a mess—
Mr. Hemstock
A man as drinks himself to death—
Baker
Ay! She wishes she’d had me astead of him, she says. I tell her it’s never too late to mend. He’s made the hole, I’ll be the patch. But it’s not much of a place, Smalley’s farm—?
Mr. Hemstock
It takes her all her time to manage an’ pay off Bill’s debts.
Baker
Debts—why, I thought from what she said— Enter Susy Smalley, a buxom, ruddy, bold woman of thirty-five, wearing thick boots and a dark blue milkmaid bonnet.
Mrs. Smalley
Wheer’s our Harry?
Mr. Hemstock
I dunno. ‘E went out a bit sin’—
Mrs. Smalley
An’ wheer is ‘e? I’ll I let him know whether he’s—(Enter Harry.) Oh, I’ve foun’ thee, have I? What dost reckon tha’s been doin’ to my lad?
Harry
Tha nedna ha’ hunted for me. I wor nobbut i’ th’ garden.
Baker
You should ha’ looked in th’ parsley bed, Susy.
Mrs. Smalley
That’s wheer to find babies—an’ I’ll baby him. What did thee hit my lad for?
Harry
Ask thysen.
Mrs. Smalley
I’m axin’ thee. Tha thinks because I hanna a man to stand up for me, tha can—
Harry
There’s a lot o’ helpless widder about thee!
Mrs. Smalley
No, an’ it’s a good thing I’m not helpless, else I should be trod underfoot like straw, by a parcel of—
Harry
It’s tha as does th’ treadin’. Tha’s trod your Bill a long way underfoot—six foot or more.
Baker
It’s a far sight deeper than that afore you get to blazes.
Mrs. Smalley
Whatever our Bill was or wan’t, ‘e was not a’ idle skilk livin’ on two old folks, devourin’ ‘em.
Nurse
(entering) Oh, think of your mother, Mrs. Smalley.
Mrs. Smalley
I s’ll think of who I like—
Baker
An’ who do you like, Susy?
Mrs. Smalley
You keep your “Susy” to yourself—
Baker
Only too glad, when I get her—
Mrs. Smalley
An’ we don’t thank Nurse Broadbanks for interferin’. She only comes carneyin’ round for what she gets. Our Harry an’ her’s matched; a pair of mealy-mouthed creeps, deep as they make ‘em. An’ my father’s not much better. What all of ‘em’s after’s my mother’s money.
Nurse
Oh, for shame, for shame!
Harry
Shut thy mouth, or I’ll shut it for thee.
Mrs. Smalley
Oh, shall you? I should like to see you. It’s as much as you durst do to hit a child, you great coward, you kid.
Mr. Hemstock
Shut it up, now, shut it up!
Mrs. Smalley
But I’ll let him know, if he touches my child again; I’ll give him what for. I’ll thrash him myself—
Baker
That’s your brother, not your husband.
Mrs. Smalley
I will an’ a’. Him an’ his blessed fowls! ‘E’s nobbut a chuck himself, as dursn’t say boh to a goose, an’ as hides in th’ water-butt if his girl comes to see him—

Harry dashes forward as if to strike her. The baker interposes.

Baker
Here, none o’ that, none o’ that!
Mrs. Smalley
A great coward! He thinks he’ll show Nurse Broadbanks what he is, does he? I hope she’ll storm round him after this bit.
Harry
(in a fury) If tha doesn’t—
Mr. Hemstock
Let’s have no more of it, let’s have no more of it—
Baker
How much bread, Mrs. Smalley? I reckon your Bill bettered himself when he flitted—what? I don’t think. How many loaves ? I saved you a crusty one.
Mr. Hemstock
She’s crust enough on her—
Baker
Oh, I like ‘em a bit brown. Good morning, everybody. (He swings up his basket and follows mrs. smalley.)
Nurse
How shameful to make a disturbance like that!
Mr. Hemstock
We never have a bit of peace. She won’t do a hand’s turn in the house, and seems as if she can’t bear herself because we manage without her,
Harry
She’s after the money.
Nurse
How dreadful! You are a strange family.

She goes into the parlor again, and keeps coming in and out with water ewer and so on. Mr. Hemstock flourishes his balls of dough, Harry puts on the saucepan.

Mr. Hemstock
Dost think Job Arthur will marry our Susy?
Harry
No, Mr. Hemstock
He seems to bang round her a good bit. Your mother often says he lets his bread get stale stoppin’ there.
Harry
If ‘e married ‘er, ‘e’ll settle her.
Mr. Hemstock
Yes—he’s all there.
Harry
All but what he’s short to pay his debts. (He goes out.)
Nurse
I think I’ve done everything, Mr. Hemstock. (She begins packing her black bag.)
Mr. Hemstock
Could you wait half a minute while I go—to Goddard’s?
Nurse
Well—ten minutes.

The old man takes a jar from the cupboard, and puts on his hat. At the door he meets the doctor, a cleanshaven fair man rather full at the stomach and low at the chest.

Dr. Foules
Good morning, Mr. Hemstock—you nre going out?
Mr. Hemstock
For a second, Doctor, just to the shop.
Dr. Foules
I sec. Then shall I go in?
Mr. Hemstock
Oh, yes, Doctor.
Dr. Foules
Thank you.

He enters, Nurse is just putting on her bonnet. The doctor stands confused.

Nurse
(low and purring) Good morning.
Dr. Foules
Nurse Broadbanks!
Nurse
(low) Yes—just fancy.
Dr. Foules
Well. I am surprised. Who ever—
Nurse
I knew it was you. No other doctor would have been so polite about entering the house.
Dr. Foules
Well—I can hardly find words—I am sure—
Nurse
Fancy your keeping your old shyness.
Dr. Foules
(flushing) I don’t know that I do—
Nurse
I should have thought it would have worn off—all the experience you have had.
Dr. Foules
Have I had so much experience?
Nurse
Eight years.
Dr. Foules
Ah, Nurse, we don’t measure experience by years.
Nurse
Surely, you have a quotation!
Dr. Foules
(smiling): No, I have not— for a wonder. Indeed I’m growing out of touch with literature.
Nurse
I shall not know you. You used to be—
Dr. Foules
Vox, et prceterea nihil. “A voice, and nothing more.”
Nurse
You are yourself. But you have not had much experience, in eight years?
Dr. Foules
Not much has happened to me.
Nurse
And you a doctor!
Dr. Foules
And I a doctor!
Nurse
But you have lost your old aesthetic look—wistful, I nearly said.
Dr. Foules
Damnosa quid non immin-uit dies? “Whom has not pernicious time impaired?”
Nurse
Not your stock of learning, evidently.
Dr. Foules
(bowing) Nor your wit, Nurse. Suum cuique. You have not—?
Nurse
What?
Dr. Foules
You have not—married?
Nurse
Nurse Broadbanks.
Dr. Foules
Of course—ha ha—how slow of me. Verbum sat sapienti.
Nurse
And you— ?
Dr. Foules
What, Nurse ?
Nurse
Married?
Dr. Foules
No, Nurse, I am not. Nor, if it is anything to your satisfaction, likely to be.
Nurse
Your mother is still alive?
Dr. Foules
(bowing) Rem acu tetigisti. “You have pricked the point with your needle.”
Nurse
I heg your pardon.
Dr. Foules
Do not, I beg, do not.
Nurse
Semper idem—I know so much Latin.
Dr. Foules
In what am I always the same, Nurse?
Nurse
Well—your politeness.
Dr. Foules
Suaviter in modo, fortiter in re. My old motto, you remember.
Nurse
I do not know the English for it.
Dr. Foules
“Gentle in manner, resolute in deed.”
Nurse
In what deed, may I ask, Doctor?
Dr. Foules
You may ask, Nurse. I am afraid I cannot tell you. And I, may I ask what you have done?
Nurse
Worked enough to be rather tired, Doctor—and found the world full of friends.
Dr. Foules
Non multa sed multum. “Not many things, but much,” Nurse. I could not say so much.
Nurse
(laughing) No?
Dr. Foules
Quid rides? “Wherefore do you laugh?”
Nurse
She lives with you here?
Dr. Foules
My mother? Yes.
Nurse
It will always be said of you— “He was a good son.”
Dr. Foules
I hope so, Nurse.
Nurse
Yes—it is the best.
Dr. Foules
(softly) You look sad.
Nurse
Not on my own behalf, Doctor.
Dr. Foules
On mine, Nurse?
Nurse
(reluctantly) No, not quite that.
Dr. Foules
Tcedium vita:—all unresolved emotions and sicknesses go under that “weariness of life.”
Nurse
Life? Doctor—do we get enough life to be weary of it? Work, perhaps.
Dr. Foules
It may be—but—
Nurse
You don’t want life.
Dr. Foules
(smiling) Not much. I see too much of it to want it.
Nurse
Your mother will, I hope, live long enough to save you from experience.
Dr. Foules
I hope it is a good wish, Nurse.
Nurse
Do you doubt it?
Dr. Foules
Will you come and see us, Nurse?
Nurse
And see your mother?
Dr. Foules
And see my mother, Nurse.

(He bows.)

Nurse
(smiling) Thank you—-I will. Enter harry—he stands rather confused in the doorway.
Dr. Foules
Good morning, Mr. Hemstock. How is Mrs. Hemstock this morning?
Harry
‘Er’s pretty middlin’, I believe.

Enter Dr. Hemstock.

Dr. Foules
I have just discovered that Nurse and I are old friends.
Mr. Hemstock
I am glad of that—
Dr. Foules
Thank you.
Nurse
Dr. Foules used to be my sweetheart.
Mr. Hemstock
You don’t mean it!
Dr. Foules
Is it so long ago, Nurse, that you jest about it?
Nurse
I do not jest, Doctor. You are always to be taken very seriously.
Dr. Foules
(bowing) Thank you.
Nurse
(to Harry) Where did I leave my galoshes, Mr. Hemstock?
Harry
I’ll fetch ‘em. (He brings them in.)
Nurse
How good of you to clean them for me!

They all stand watching while Nurse pulls them on.

Dr. Foules
“A world full of friends,” Nurse.
Nurse
Mr. Hemstock and I are very good friends—are we not, Mr. Hemstock ?
Harry
I dinna know—you know best —’appen we are.
Dr. Foules
You are repudiated, Nurse.
Nurse
Twice! You shouldn’t have begun it.
Dr. Foules
I am very sorry. It is never too late to mend.
Nurse
We’ve heard that before this morning. I must go.
Dr. Foules
You will come and see us—soon.
Nurse
I am at your disposal, Doctor. Good-day, everybody.
All
Good-day, Nurse.
Dr. Foules
Well, I will see how Mrs. Hemstock is. (He goes out.)
Mr. Hemstock
He’s a nice fellow.
Harry
Hm!
Mr. Hemstock
Fancy he used ter court Nurse! I shouldna be surprised if they got together again.
Harry
It doesna matter to me whether ‘er does or not.
Mr. Hemstock
No, it na matters to us—on’y I should like to see her settled wi’ a decent chap. She’s a good woman for any man. If I’d a been thy age—
Harry
Wi’ that other hangin’ round —an’ no work to do — tha’s ha’ done wonders.
Mr. Hemstock
T’other—tha’s gin ‘er the sack—an’ tha can get work elsewhere.
Harry
Dost think ‘er’d ha’e me! (He laughs contemptuously.)

There is a noise of yelping and crying. The men stand and listen.

Mr. Hemstock
It’s that dog!—An’ Nurse!

Harry rushes out. There is a great yelping and ki-yi-ing, a scream from nurse. Immediately nurse enters, carrying Patty, who flaps in a torn and gory state. Harry follows. Nurse, panting, sets down Patty.

Mr. Hemstock
Whatever—
Harry
(flushing in fury) Has it hurt thee— did it touch thee?
Nurse
Me!
Harry
I’ll break it’s neck.
Nurse
Oh—don’t be—
Harry
Where did it touch thee? There’s blood on thee.
Nurse
It’s not me, it’s Patty.
Harry
‘Appen tha non knows—’appen it catcbed thee. Look at thy arm— look there!
Nurse
No—I’m not hurt, I’m sure I’m not.
Harry
I’ll break its neck, the brute.
Nurse
It had got hold of poor Patty by the wing—poor old bird./dd>
Harry
Look at thy cuffs. I’ll break its neck.
Nurse
No—oh no, don’t go out—no-get me some warm water, will you—and I’ll see to Patty.

Harry brings a bowl of warm water. Nurse takes bandaging from her bag.

Mr. Hemstock
It’s been at her before, Nurse.

(to

Harry): You look after her other wing—keep her still—poor old bird—

(She proceeds to dress the wounded wing.)

Mr. Hemstock
She’d be all right, Nurse, without you bothering.
Nurse
The idea—poor old thing!
Mr. Hemstock
We’ve been many time worse hurt at pit, an’ not half that attention.
Nurse
But—you see, you’re not geese.
Harry
We’re not of as much count.
Nurse
Hand me the scissors, please— you don’t know what you are—

Dr. Foules enters and stands in doorway.

Mr. Hemstock
I keep telling him, if he set more stock by himself other folks ‘ud think better of him.
Nurse
They might know him a little better if he’d let them.
Dr. Foules
I see my help is superfluous.
Nurse
Yes, Doctor—it’s one of the lower animals.
Dr. Foules
Ah—

CURTAIN

ACT II

Scene I

The Hemstocks’ kitchen, with the lamp lighted. It is the same evening. The Baker and Harry sit with glasses of whisky.

Baker
An’ tha doesn’t want ‘er?
Harry
I heave at the sight of her.
Baker
She’ll ha’e a bit o’ money, I reckon.
Harry
She’s got to wait till old Hezekiah cops out, first.
Baker
Hm! That’ll be a long time yet—if he doesn’t get married again. They say he’s hankerin’ after Nurse.
Harry
‘Er’ll niver ha’e Mm.
Baker
Too old. But what hast got against Rachel?
Harry
Nowt—but I heave wi’ sickness at the thought of ‘er.
Baker
Hm! I like one as’ll give as much as she takes.
Harry
Sight more.
Baker
It depends who’s who.
Harry
I can never make out why she went in service at the vicarage.
Baker
Can’t you? I’ve had many a nice evening up there. Baron an’ Baroness go to bed at nine o’clock and then—. Oh, all the girls know the advantage of being at the vicarage.
Harry
Oh—an’ does she ha’e thee up in the kitchen?
Baker
Does she not half.
Harry
I thought she wor so much struck on me!
Baker
You wait a minute. If she can’t feed i’ th’ paddock she’ll feed at th’ roadside. Not but what she’s all right, you know.
Harry
I do know.
Baker
She’s not got the spirit of your Susy. By Jove, she’s a terror. No liberties there.
Harry
Not likely.
Baker
They say Bill left ‘er in debt.
Harry
He did.
Baker
Hm! She’ll have a long pull, then, to get it paid off.
Harry
She’s a-waitin’ for my mother’s money.
Baker
Is she likely to get much?
Harry
Happen a couple o’ hundred-happen nowt.
Baker
Depends on the will?
Harry
Yes.
Baker
A couple of hundred. . . .
Harry
About that apiece, we should ha’e.
Baker
Hm! You’ve seen the will?
Harry
No—my mother takes good care o’ that.
Baker
Then none of you know? But you’ve some idea.
Harry
We hanna. My mother’s funny —there’s no tellin’ what ‘er might do.
Baker
Hm! She might leave the money away from her own children?
Harry
I shouldna be a bit surprised.
Baker
Hm! An’ your Susy—
Mrs. Smalley
(entering) What about your Susy?
Baker
Hello!
Mrs. Smalley
You’re stoppin’ a precious long time. Where might you be bound tonight?
Baker
Not far.
Mrs. Smalley
No further than the vicarage, an’ that’s two closes off. But Rachel’ll be givin’ you up.
Baker
‘Appen so.
Mrs. Smalley
Then she’ll be tryin’ her chances down here.
Baker
I wish her luck.
Harry
(going out) I’ll go an’ get a bit o’ bacca.
Mrs. Smalley
An’ what do you call luck?
Baker
Which do you reckon is a lucky-bag, me or your Harry?
Mrs. Smalley
You’re both about as good: he’s only got a little bunged-up whistle in him, an’ many a hand’s ferreted in you an’ fetched out what’s worth havin’.
Baker
So I’m not worth havin’?
Mrs. Smalley
No, you’re not, that’s flat.
Baker
So you wouldn’t have me?
Mrs. Smalley
You’re giving yourself away, are you?
Baker (incisively) No, I’m not.
Mrs. Smalley
Indeed. And what’s your figure, may I ask?
Baker
A couple of hundred, to you; to anyone else, more.
Mrs. Smalley
Thank you for the offer—very kind of you, I’m sure. And how much is it to Rachel?
Baker
Two hundred an’ fifty.
Mrs. Smalley
Oh! So I’m worth fifty pound to you, am I—after I’ve put my two hundred down. Ready money?
Baker
Six months bill.
Mrs. Smalley
You are a swine.
Baker
Do you accept?
Mrs. Smalley
You are a pig! You’d eat cinders if you could get nowt else.
Baker
I should. I’d rather have you than any of the boiling; but I must, I must, have—
Mrs. Smalley
Two hundred?
Baker
Not less.
Mrs. Smalley
Six months bill.
Baker
Six months bill.
Mrs. Smalley
I hope you’ll get it.
Baker
I intend to.
Mrs. Smalley
(after a speechless moment) You are a devil when you’ve had a drop.
Baker
Am I a dear one?
Mrs. Smalley
Do you call yourself cheap ?
Baker
What do you think? I was always one of the “take it or leave it” sellers.
Mrs. Smalley
I think you imagine yourself worth a great sight more than you are.
Baker
Hm! I should have thought you’d have found the figure easy. And I’ve always said I’d rather it was you than anybody.
Mrs. Smalley
You was mighty slow, then, once on a day.
Baker
I was a young cock-sparrow then—common—but wouldn’t die in a cage.
Mrs. Smalley
An’ what do you reckon you are now?
Baker
I’m an old duck that knows “dilly-dilly”!
Mrs. Smalley
“Come and be killed.”
Baker
Scatter me a bit of golden corn —two hundred—and you may wring my neck.
Mrs. Smalley
You must have an empty crop.
Baker
A few pebbles that’ll digest me if I don’t—
Mrs. Smalley
Debts?
Baker
I said pebbles.
Mrs. Smalley
You’re a positive fiend in drink.
Baker
But what about—?

Enter Rachel, a tall, pale girl, with dark circles under her eyes. She has a consumed look, as if her quiet pallor smothered a fire. She wears a servant’s cap and apron covered by a large dark shawl. She enters softly.

Rachel
I thought I heard you two.
Mrs. Smalley
(startled) You might knock!
Rachel
Were you talking secrets?
Baker
Have you come to look for me, Rachel?
Rachel
(cuttingly) You think a mighty lot of yourself.
Baker
Have a drop of Scotch? No? How’s that? There’s Harry’s glass-drink out of that.
Rachel
You’re very clever at giving away what’s not your own. Give me yours.
Baker
I’ve not finished with it—but you can drink with me. Here!
Rachel
No, thank you.
Baker
(softly, smiling) Why, what has offended you?
Rachel
Nothing, indeed.
Baker
That’s all right. I don’t like you to be offended. As a sign of good luck. (She sips.) Thanks. I’m sorry I’m late.
Rachel
You’re not there yet, so you can’t be late.
Baker
Yes, I am there. What farther have I to go?
Rachel
(singing) “You’ve got a long way to go, You’ve got a long way to go,”
Mrs. Smalley
(singing in a masculine voice) “Before you get hold of the donkey’s tether You’ve got a long way to go.”
Baker
(singing in a fine bass)

“If I had an ass and he wouldn’t go, Would I wallop him? Oh, dear no!
I’d give him some corn and say
‘Gee whow, Neddy, stand still while I mount,
oh ho!’”

Mrs. Smalley
He’s the donkey.
Baker
Who doesn’t make an ass of himself sometimes?
Mrs. Smalley
And we’ve got to give him some corn.
Baker
For you’ll never catch him to get hold of his tail—salt’s no good.
Mrs. Smalley
How much corn? Tell her.
Baker
Two hundred — and fifty — golden grains. No more.
Rachel
What’s up with him tonight?
Mrs. Smalley
Oh, he’s had a drop, an’ it always sets him on edge. He’s like a razor. When he’s had a drop, if you stroke him you cut yourself a-two.
Rachel
Goodness!
Baker
Rachel, I’d sell my immortal soul for two hundred—and fifty— golden sovereigns.
Rachel
I’m not buying immortal souls, thanks.
(he spreads out his hands)—this paper and string to wrap it in.
Rachel
An’ a nice parcel of goods you are!
Baker
I’m a lucky bag, Rachel. You don’t know all that’s in me, yet.
Rachel
And what is that, pray?
Baker
I don’t know myself. But you shall have leave to rummage me. (He throws open his arms.) Look! (He rises from his chair, as it were superbly. He is a fine, portly, not unhandsome man. He strikes a “superb” attitude.) Look, Rachel. For two hundred and fifty pounds, three months bill, I am (he bows) your slave. You shall (he speaks with cynical sincerity) bring down my head as low as you like (he bows low), I swear it, and I never swore a lie.
Rachel
But what do you want two hundred and fifty pounds for?
Harry
(entering) Has Nurse come?
Baker
Not yet. Are you going to finish your glass? It has taken me all my time to stop the women sipping from it.
Rachel
Story! You know I wouldn’t—
Baker
Hush! Don’t be rash 710x0, or you’ll hate me tomorrow.
Rachel
And should you care?
Baker
I am willing to give you full rights over my immortal soul and this paper and string—
Mrs. Smalley
For two hundred down—
Baker
(bowing—then looking to Rachel) And fifty, Mrs. Smalley.
Rachel
What do you think of it, Susy? Is it a bargain?
Baker
(setting his cap on the back of his head and pulling on a large overcoat—he is well dressed) We have not struck hands yet.
Mrs. Smalley
(to Rachel) What do you say?
Rachel
Nay, I want to hear what you say.
Mrs. Smalley
I’m going to say nowt, yet a while—
Rachel
Well, we’ll see. (She pulls her shawl over her head to follow him.)
Baker
Nay—I’m going down Northrop—on business.
Rachel
Wasn’t you coming up?
Baker
To the vicarage? I had this to tell you; that is all.
Rachel
Well, I must say—but come up just for—
Baker
Not for a moment, Rachel. I am going down Northrop. mrs. 8malley: It’s no good you saying nothing, Rachel. You might as well save your breath.
Baker
(smiling to Rachel): You hear? I’ll see you in the morning. Good night all. (Exit.)
Rachel
(looking after him) I hate him.
Mrs. Smalley
I’m going home. (She hurries out. There is an awkward pause, harry sits bending over the fire.)
Rachel
How is your mother?
Harry
Same.
Rachel
Who’s with her?
Harry
Dad.
Rachel
Where’s Patty?
Harry
Cupboard.
Rachel
When do you expect Nurse?
Harry
Dunno.
Rachel
Have you been drinking whisky? (No answer.) Are you going to leave these glasses for Nurse to see? (No answer.) Are you going to let her sec you drinking? (No answer.) Well, I do reckon you might speak to a body. I’ve not spoke to you for a week—hardly seen you. I can see you in your garden from the vicarage front bedrooms. I often watch you. Do you want your glass?
Harry
Gi’e’s it here!
Rachel
You might say thank you. Job Arthur Bowers wants me to marry him. And I shouldn’t be surprised if I did. (Tears.)
Harry
Well, tha nedna scraight.
Rachel
No—I mun only cry when I’m by myself. (Sob.) I’m sure I’m sobbing half the night. (Tears.) Do you sleep bad? You do get up early— I can see your candle at half past three, and you don’t know how it frightens me.
Harry
What’s it frighten thee for?
Rachel
I don’t know. I feel frightened, for you seem so funny nowadays.
Harry
‘As ter on’y just foun’ it out?
Rachel
You know I’ve told you about it many a time.
Harry
A sight too often.
Rachel
You are horrid. What have I done ? Tell me.
Harry
I’m non goin’ to be made shift of. Tha’rt non goin’ ter ma’e a spitton of me, ter spit the taste of somebody else out of thy mouth into.
Rachel
Well, if I’ve beefn hateful, you’ve drove me to it—haven’t you?
Harry
I’ve told thee, I dunna want thee.
Rachel
An’ I went into service, so’s I’d have something to do—an’ so’s I should be near—when—
Harry
Go on—an’ so’s—an’ so’s an’ so’s—I’m thy spitton, tha can spit owt inter me.
Rachel
You’re right, you’re full o’ sawdust.
Harry
(showing his teeth) What?
Rachel
Sawdust, like a dummy. You’ve no more life in you.
Harry
(in a passion) What! What!
Rachel
: Sawdust.
Harry
(springing and seising her by the shoulders) I’ll settle thee!
Rachel
You’ve been drinking.
Harry
(shouting) I’ll settle thee, if I hang for it!
Rachel
You’re hurting me!
Harry
(quietly) Come here. (He binds her in her large shawl.)
Rachel
Oh! What are you doing?
Harry
I’ll ha’e thee now, I will. (He seats her in the big armchair, strapping her with a leather belt he takes from his waist.)
Rachel
(quietly) Have you gone mad?
Harry
Now then—answer me! Did ter court Bill Naylor a’ the time as thou wert goin’ wi’ me?
Rachel
No.
Harry
(his fist close to her eyes— loudly) Trewth!
Rachel
Yes.
Harry
Did ter tell him I used ter shout out that somebody wor coming if thou wanted to kiss me?
Rachel
Yes.
Harry
An’ as I was allers s waller in’ my spittle for fright?
Rachel
Yes.
Harry
An’ I wor like a girl, as dursn’t look thee atween the eyes, for all I was worth?
Rachel
Yes.
Harry
An’ dursn’t I?
Rachel
Yes—an’ don’t. (She closes her eyes.)
Harry
What! An’ all t’other things about me as the pit was full of?
Rachel
Oh, no! Oh, no!
Harry
Yes, tha did!
Rachel
No, oh no, Harry!
Harry
An’ are ter courtin’ Job Arthur Bowers?
Rachel
Oh!
Harry
Scream, an’ I’ll squeeze thy head again’ that chair-back till it cracks like a nut.
Rachel
(whimpering) Oh dear, oh dear.
Harry
It is “oh dear”—an’ it ‘as been for me “oh dear.” Listen ‘ere, tha brazend hussy. Tha keeps thy face shut when tha comes near me. Dost hear?
Rachel
Yes.
Harry
None o’ thy cheek, not another word, in future—or I’ll—what?
Rachel
No.
Harry
An’ dunna touch me till tha’rt axed. Not so much as wi’ thy frock. Dost hear?
Rachel
Yes.
Harry
What dost hear?
Rachel
I mustn’t touch you.
Harry
Not till thou’rt axed. An’ lu’ thee here, my lady—I s’ll brain thee if tha says a word to me—sithee? (He thrusts his fist in her face.)
Rachel
Somebody will come—let me go, let me go!
Harry
An’ what I’ve said, I mean— drunk or sover. Sithee?
Rachel
Yes, Harry! Oh, let me go.
Harry
I’ll let thee go. (He does so, slowly.) An’ tha can go wi’ who tha likes, an’ marry who tha likes, but if tha says a word about me, I’ll come for thee. There! (He unbinds her. She lays her hand on his sleeve.) No! (He shakes her off. She rises and stands dejectedly before him.) I hate thee now enough to strangle thee.
Rachel
(bursting into tears) Oh, you are—
Harry
Now go wi’ who tha likes— get off.
Rachel
You are—
Harry
I want none o’ thee—go! (She is departing.) An’ ta’e thy shawl wi’ thee. (She, weeping, picks up her shawl.) An’ lap it round thee—it’s a raw night. (She does so. He speaks gently now.) Now go. (Exit rachel. Harry pours himself another glass of whisky. He goes to the cupboard.) Patty! Pat! (He puts his face caressingly among the bird’s feathers.) We’ll settle her, Pat—eh? We’ll stop her gallop. Hey, Pat! (He tosses the bird into the air wildly.)

CURTAIN

Scene II

Time: the same. Scene: the road just outside the Hemstocks’. Deep darkness: two cottage lights in the background. In the foreground, a large white swing gate leading from the farmyard into the road, a stile beside the gate. Mrs. Smalley leans against the big white gatepost. Enter rachel, drying her tears, from the background. She steps through the stile, Susy moves.

Rachel
Oh! Oh! Oh Harry!
Mrs. Smalley
It’s only me; shut up.
Rachel
Oh, you did give me a turn, Susy!
Mrs. Smalley
Whatever’s up?
Rachel
Nothing. Who are you looking for?
Mrs. Smalley
Nobody.
Rachel
Has Job Arthur gone? mrs, smalley: You saw him go.
Rachel
Not that I care. mrs, smalley: I bet you don’t. You carry on as if you don’t care, you do. You needn’t pretend to be so mighty struck on our Harry, you know it’s all siiam.
Rachel
It’s not, Susy. There’s no sham about it; I wish there was. He’s got his eye on Nurse, it’s my belief.
Mrs. Smalley
An’ she’s got her eye on my mother’s money, I know. She’s sniffing like a cat over a mouse hole, an’ cottoning on to our Harry.
Rachel
She’s deep, she is—an’ he’d be as big as a lord for at the bottom he’s that stuck-up he doesn’t know what to do with himself.
Mrs. Smalley:
I believe she knows something about the will.
Rachel
Well, surely—
Mrs. Smalley
An’ from summat as my mother let drop, I’d be bound she’s in it, wi’ our Harry.
Rachel
His mother always made me cheap in his eyes.
Mrs. Smalley
If I could get to know—
Rachel
Doesn’t your Harry know?

 

Mrs. Smalley: How should I know what he knows?
Rachel
My father’s pining for Nurse, the old fool. I wish he’d get her. His money might get her. I’ll buck him up.
Mrs. Smalley
I’ll get in her way wi’ our Harry as much as I can.
Rachel
All right. You are a bit gone on Job Arthur, aren’t you?
Mrs. Smalley
He should ha’ married me, by rights, twelve years back.
Rachel
There’s something fascinating about him. Does he really want .250?
Mrs. Smalley
Yes.
Rachel
I believe my father would give it me, if I got married to please him.
Mrs. Smalley
All right, there’s your chance then.
Rachel
You needn’t be nasty, Susy. I don’t want the chance. mrs, smalley: You dodge round too many corners, like a ferret, you do.
Rachel
At any rate, I’m not waiting for somebody to die and leave me bait to chuck to a fat fist of a fellow. mrs, smalley: You’d better mind what you’re saying, Rachel Wilcox.
Rachel
I don’t care about you. So there.
Mrs. Smalley
Doesn’t ‘er though? What about our Harry? I’ll let him know a thing or two.
Rachel
It’s you as has been saying things, I know. You’ve been telling him about Job Arthur Bowers.
Mrs. Smalley
Oh, have I? You’re mighty clever.
Rachel
You don’t need to be clever to see through you. But I’ll make you pay for it, my lady. mrs. 8malley: What? Come out here—
Rachel
There’s the Baron—an’ they don’t know I’m out! She runs into hiding as a lantern appears down the lane, busy draws after her.
Susy
What’s he after?
Rachel
Lovers. They hunt ‘em out every Monday night. Shut up now. (In a whisper.) Does my white apron show?
Baron
We haf done good work this night.
Baroness
(tall and spare, in an antique cloak and bonnet) Seven couples, Baron—and we have only been out an hour. Isn’t it terrible!
Baron
These miners arc not men— they are animals that prowl by night.
Baroness
The girls are worse, with their faces of brass. It is they who entice the young men into these naughty holes and crannies.
Baron
But if a man haf honor, will he not woo a maiden in her father’s house, in the presence of her family?
Baroness
This is a parish of sin, Baron, the people love sin. BAnoN: Defiant in sin, they are! But I will overthrow them. I will drive them before me into the pit.
Baroness
To think of that brazen besom telling us to go home and go to bed—
Baron
And the man—ah, infamous, gross insult! And coward, to revile me that I have no child.
Baroness
If they had a few less—and they born of sin—the low women! That is the house of the woman Hemstock. Have you seen her?
Baron
Not yet. I will not bury her, heathen and blasphemous woman. She shall not soil my graveyard of good dead. And those, her men folk, obstreperous and enemies of God, I will bow low their necks—
Baroness
Hush, there are some—I believe there are—behind the gate—
Baron
More? Ah, misery, more than linked worms! Where? My dull eyes!
Baroness
There—behind the gatepost—
Baron
(holding aloft the candle) Lovers, if you be there, why do you suck at sin ? Is this honor, you man ? There is no one there, Baroness. BAnoNESs: Yes, Baron, yes. I can see her apron. Who are you? Come out of there. You, girl, I see you. Come out, for shame. You do not know what you are doing; or, if you do, you are the depth of wickedness. (A titter is heard.)
Baron
Where is the man? Show yourself, sir. Let me see the man. You lurk, sir, in a hole like a rat. Ah, the disgrace of mankind.
Baroness
What is going to become of you, girl? Go home, before it is too late. Go home and learn to do your housework.
Baron
You press into the boughs of the trees, but the boughs are the little arms of God. You hide youselves deep in the darkness, which is but the pupil of the eye of God. Ah, like a hot spark you fret the eye of God with your lust.
Baroness
You will rue it this time next year, I tell you.
Baron
The face of the man is full of shame, it is afraid lest it fall under my eye.

(He holds the lantern peering at the woman. The Baroness hovers close behind, Rachel pushes Susy out upon the little man. The lantern is extinguished.)

Baroness
Oh, oh, come away, Baron, come away!
Baron
Ha! Ha! (His voice is screaming.) It is the attack! Stand behind mc, Baroness, I defend you. (He ends on a high note, flourishing a stick he carries.) I have hit him! Ha! Come on!
Mrs. Smalley
You’ve hit me, you little swine.
Baron
Stand behind me, Baroness. I defeat this man—I—(He chokes with gutturals and consonants.)
Mrs. Smalley
Would you, you little swine!
Baron
I will thrash you—I will thrash you—low-bred knave, I will—(He sputters into German.)
Mrs. Smalley
Let me get hold on thee, I’ll crack thy little yed for thee.
Baroness
Baron, Baron, they are murdering you!
Baron
Ah, my sword, my sword! Baroness, my sword! I keep him at bay with this stick.
Mrs. Smalley
I’ll show thee, the little nuisance, whether tha’rt ter hit me on the shoulder.
Baron
I have not my strength of old, if I had my sword he were killed.
Baroness
Thy are murdering the Baron! Help! Help! Oh Baron—
Rachel
(suddenly rushing at her) Shut up, you old chuck! Shoo!
Baroness
(screaming) Baron! Rudolf, Rudolf! Oh-h—!
Baron
(groaning) Ah, Baroness! (He turns, Susy rushes through his guard and seizes his wrist.)
Mrs. Smalley
I’ll have that stick!
Baron
The lady—the Baroness von Ruge, my wife, let me go to her!
Mrs. Smalley
Drop that stick, tha little—!
Baron
Little, little again! Ah, my sword to thee. Let go my wrists, foul one, base one, fight thus! (He lapses into a foreign fizzle.)
Baroness
(fleeing) Help, help, help!
Rachel
(catching her by the end of her long cloak and pulling her round backwards) Whoa, you’re going a bit too fast!
Baroness
Whose voice is that? What? Oh-h—!

Enter nurse.

Nurse
(breathless) Whatever is the matter? Who is it?
Mrs. Smalley
Drop that stick, little lizard—
Baron
My wife! God, think of my wife!
Baroness
Baron—they’re killing me —Baron!
Nurse
Baroness! Oh, for shame— oh, how dreadful! (She runs to Rachel, who flees.)
Harry
(rushing up) What’s goin’ off?
Nurse
The poor Baron—an old man! Oh, how dreadful!
Baroness
Rudolf, Rudolf! Where am I—what—where ?
Baron
I will kill you!
Harry
(to his sister) Has ter no more sense, grc’t hound?
Mrs. Smalley
What’s tha got ter do wi’ it? (To the Baron) Drop that stick!
Baron
I will certainly—
Harry
Come off! (He wrenches loose her wrists.)
Baron
Ha! (In triumph.) Thief! (He rushes forward, Susy avoids him quickly. He attacks Harry, fetching him a smart whack.)
Harry
The little wasp—
Nurse
Don’t, Mr. Hemstock—don’t hurt him!
Baron
Ha! (He rushes again, Harry dodges to avoid him, stumbles, the Baron gets in a blow, Harry goes down.) Ha, I have smitten him—Ha!
Baroness
(fleeing): Baron — help! Help! Baron—
Baron
(pursuing) My wife—
Burse
(to Baroness): Come away, Baroness, come away quickly. The Baron is all right.
Baroness
I have lost a galosher, he has lost his hat, and the lantern—oh!
Baron
Ah, Baroness, safe! God be glorified. What—oh, only Nurse. We haf been ambushed by a band of ruffians.
Nurse
You had better hurry to the vicarage, Baron, you will take cold.
Baron
Speak not to me of cold. We haf narrowly escaped. Are you wounded, Baroness?
Baroness
Where is your hat, and the lantern, and my galosher?
Baron
What matter—
Nurse
You had better take the Baroness home, Baron. She will be ill.
Baroness
We can’t afford to lose them—the lantern and your hat and a pair of galoshes.
Baron
Speak not of such—(They leave.)
Harry
(rising slowly) The little snipe!
Mrs. Smalley
It serves thee right.

CURTAIN

Scene III

Time: the same. Scene: the kitchen of the Hemstocks’ house, Mr. Hemstock is stirring a saucepan over the fire.

Nurse
(entering) I am late. Are you making the food? I’m sorry.
Mr. Hemstock
I hardly liked leavin’ her—she’s funny tonight. What’s a’ th’ row been about?
Nurse
Somebody buffeting the Baron and Baroness. I’ve just seen them safely on the path. Has Harry come in?
Mr. Hemstock
No—hark—here he is! Whatever! (The door opens. Enter harry, very muddy, blood running down his cheek.) Whatever ‘as ter done to thysen?
Harry
Fell down.
Nurse
Oh dear—how dreadful! Come and let me look! What a gash! I must bind it up. It is not serious.
Mr. Hemstock
Tha’d better ta’e thy jacket off, afore Nurse touches thee. (harry does so. mr. hemstock continues making the food, Nurse sets the kettle on the fire and gets a bowl.)
Nurse
(to Harry) You feel faint— would you like to lie down?
Harry
I’m a’ right.
Nurse
Yes, you are all right, I think. Sit here. What a house of calamities! However did it happen?
Harry
The Baron hit me, and I fell over the lantern.
Nurse
Dear me—how dreadful!
Harry
I feel fair dizzy, Nurse—as soft as grease.
Nurse
You are sure to do.

(Exit Mr. Hemstock with basin.)

Harry
Drunk, like. Tha’rt a,i good as a mother to me, Nurse.
Nurse
Am I?
Harry
My mother worna one ter handle you very tender. ‘Er wor rough, not like thee.
Nurse
You see, she hadn’t my practice.
Harry
She ‘adna thy hands. ‘Er’s rayther bad today, Nurse. I s’ll be glad when ‘er’s gone. It ma’es yer feel as if you was screwed in a tight jacket—as if you’d burst innerds.
Nurse
I understand—it has been so long.
Harry
It has. I feel as if I should burst. Tha has got a nice touch wi’ thee, Nurse. ‘Appen ‘er’ll leave me a bit of money—
Nurse
Oh, Mr. Hemstock!
Harry
An’ if I could get some work— dost think I ought to get married, Nurse?
Nurse
Certainly, when you’ve found the right woman.
Harry
If I was in steady work— Nurse, dost think I’m a kid?
Nurse
No—why?
Harry
I want motherin’, Nurse. I feel as if I could scraight. I’ve been that worked-up this last eight month—
Nurse
I know, it has been dreadful for you.
Harry
I dunna want huggin’ an’ kissin’, Nurse. I want—thar’t a nurse, aren’t ter?
Nurse
Yes, I’m a nurse.
Harry
I s’ll reckon I’m badly, an’ then tha can nurse me.
Nurse
You are sick—
Harry
I am, Nurse, I’m heartsick of everything.
Nurse
I know you are—
Harry
An’ after my mother’s gone— what am I to do?
Nurse
What creatures you are, you men. You all live by a woman.
Harry
I’ve lived by my mother. What am I to do, Nurse?
Nurse
You must get married—
Harry
If I was in steady work—
Nurse
You’ll get work, I’m sure.
Harry
And if my mother leaves me some money—
Nurse
I must tell you where the will is, for fear anything should happen.
Harry
Then I can ax—is it done, Nurse?
Nurse
Just finished.
Harry
Should I lie down?
Nurse
Let mc straighten the sofa for you; don’t get up yet. Then I must see to Mrs. Hemstock, and I’ll speak to you about the Baroness’s things, and about the will, when I come back. How docs the head feel?
Harry
Swimming, like—like a puff o’ steam wafflin’.
Nurse
Come along—come and lie down —there, I’ll cover you up. Mn. hemstock (entering)’. Is he badly?
Nurse
I think he’ll be fairly by tomorrow.
Mr. Hemstock
Tha’rt cading him a bit, Nurse.
Nurse
It is what will do him good—to be spoiled a while.
Mr. Hemstock
‘Appen so—but it’ll be a wonder.
Nurse
Why?
Mr. Hemstock
Spoilin’ is spoilin’, Nurse, especially for a man.
Nurse
Oh, I don’t know. How is Mrs. Hemstock?
Mr. Hemstock
Funny. I canna ma’e heads or tails of her.

CURTAIN

ACT III

Scene I

Time: it is the morning succeeding the previous scene. Scene: the dining room at the vicarage, a spacious but sparsely furnished apartment: the baron considering himself in all circumstances a soldier. The baron, in martial-looking smoking jacket, is seated at a desk, writing, saying the words aloud. The clock shows eleven. Enter baroness, in tight-sleeved paisley dressing goivn, ruched at neck and down the front. She wears a mobcap.

Baron

(rising hastily and leading her to her chair)

You are sure, Baroness, you are sufficiently recovered to do this?
Baroness
I am only pinned together, Baron. I shall collapse if the least thing happens.
Baron
It shall not happen.
Baroness
My head has threshed round like a windmill all night.
Baron
Did I sleep?
Baroness
No, Baron, no, no! How do you find yourself this morning?
Baron
Younger, Baroness. I have heard the clash of battle.
Baroness
I was so afraid you had felt it.
Baron
I—I—but I shall fall to no sickness. I shall receive the thrust when I am in the pulpit, I shall hear the cry, “Rudolf von Rugc” ! I fling up my hand, and my spirit stands at attention before the Commander.
Baroness
Oh Baron, don’t. I shall dread Sunday.
Baron
Dread it, Baroness! Ah, when it comes, what glory! Baroness, I have fought obscurely. I have fought the small, inconspicuous fight, wounded with many little wounds of ignominy. But then—what glory!
Baroness
Has Nurse come yet?
Baron
She has not, Baroness.
Baroness
I wish she would.
Baron
You feel ill—hide nothing from me.
Baroness
She promised to try and get the things. I know the hat will be ruined, but if we recover the galosh and the lantern, ‘twill be a salvation.
Baron
Tis nothing.
Baroness
‘Tis, Baron, your hat cost 16/—and my pair of galoshes, 8/6, and the lantern, 2/11. What is that, Baron? Reckon it up.
Baron
I cannot—I have not—(a pause) it is twenty-one shillings and one penny.
Baroness
15/ and 8/6—15, 16, 17, 18—that’s 18/6 and 2/11—18—19,20. (Counting.) And five pence, Baron. Twenty-one shillings and five pence.
Baron
‘Tis nothing, Baroness.
Baroness
‘Tis a great deal, Baron. Hark! Who is that called?
Baron
I cannot hear.
Baroness
I will go and sec.
Baron
No, Baroness—I go.
Baroness
To the kitchen, Baron? (Exit.)

The Baron, at the window, cries on the Lord in German.

Nurse
(at the door) Good morning.
Baroness
(hastily turning back) Have you got them?
Nurse
The hat and the galosh—we couldn’t find the lantern.
Baroness
Those wicked Hemstocks have appropriated it.
Nurse
No, Baroness, I think not.
Baroness
Your hat is not ruined, Baron—a miracle. Put it on—it looks as good as new. What a blessing. Just a little brushing—and my galosh is not hurt. But to think those wretches should secrete my lantern. I will show them—
Baron
Baroness!
Baroness
I was going to the kitchen. I hear a man’s voice.
Nurse
The Baker’s cart is there.
Baroness
Ah! (Exit.)
Nurse
I am very glad the Baroness is not ill this morning.
Baron
Ah Nurse, the villainy of this world. Believe that a number of miners, ruffians, should ambush and attack the Baroness and me, out of wrath at our good work. The power of evil is strong, Nurse.
Nurse
It is, Baron, I’m sorry to say.
Baron
I think those people Hemstock instigated this, Nurse.
Nurse
No, Baron, I am sure not.
Baron
Will you say why you are sure, Nurse?
Nurse
I saw, Baron. It was not Harry Hemstock, nor his father.
Baron
Then who, Nurse? They are criminals. It is wickedness to cover their sin. Then who, Nurse?
Nurse
Some people from Northrop. I cannot say whom. You know, Baron, you are an aristocrat, and these people hate you for it.
Baron
The mob issues from its lair like a plague of rats. Shall it put us down and devour the land? Ah, its appetite is base, each for his several stomach. You knew them, Nurse?
Nurse
No, Baron.
Baron
You heard them—what they said—their voices.
Nurse
I heard one say “Catch hold of Throttle-ha’penny!”
Baron
“Catch hold of Throttle-ha’ penny” — Throttle-ha’penny, what is that?
Nurse
I think it means the Baroness. They are so broad, these people, I can’t understand them.
Baron
I will punish them. Under the sword they shall find wisdom.
Baroness’s Voice
Oh, shameless! Shameless!
Rachel’s Voice
He was looking at my brooch.
Baroness’s Voice
Come here, Baker, come back.
Baker’s Voice
A stale loaf to change, Baroness?
Baroness’s Voice
You shall go before the Baron this time. Go in the dining room, Rachel.
Baker’s Voice
Me too? (Enter rachel, in cap and apron, the baker, and the baroness.)
Baker
(entering) Thank you, Missis. Good morning, Nurse. Expect to find the Baroness in bed? I did.
Baroness
(to Rachel) Stand there!
Baron
(sternly to Baker) Stand there! Take a seat, Nurse. Pray be seated, Baroness.
Baker
(seating himself in the armchair) Hope I haven’t got your chair, Baron.
Baron
Stand, sir.
Baker
(to nurse, as he rises) Nearly like my father said to the curate: “They’re a’ mine!”
Baron
Baroness!
Baroness
He was, Baron, he was—
Rachel
He was bending down to look at my new brooch. (She shows it.)
Baroness
With his arm—
Baker
On her apron strings—
Baroness
He was stooping—
Baker
To look at her new brooch.
Baron
Silence!
Baroness
He kissed her.
Baron
Coward! Coward! Coward, sir!
Baker
Ditto to you, Mister.
Baron
What! Sir! Do you know—?
Baker
That you are the “Baron von Ruge”? No, I’ve only your bare word for it.
Nurse
For shame, Mr. Bowers.
Baker
When a little old man, Nurse, calls a big young man a coward, he’s presuming on his years and size to bully, and I say, a bully’s a coward.
Baron
You contaminate my maid.
Baker
I contaminate your maid?
Baroness
The shameless baggage. What have I always said of her!
Baron
Baroness von Ruge! (To Baker) You are going to marry her?
Baker
It’s a question generally put to the woman.
Baron
Answer me, sir.
Baker
I couldn’t say which she’s going to marry, out of her one or two fellows.
Baroness
Shameless! Ah, the slut!
Baron
I repeat, sir—do you intend to marry this maid?
Baker
I hadn’t fuUy made up my mind—
Baron
Then, sir, you are a villain—
Baker
You’ve got the muscle of your years up, Mister—
Baron
You threaten me!
Baroness
Baron!
Rachel
I sh’d have thought you’d more about you, Job Arthur Bowers.
Nurse
(deprecating) Oh, Mr. Bowers!
Baker
Right you are, Nurse!
Baron
I say, sir, a man who kisses a maid—
Baker
Ought to be hanged for it—so say I.
Baron
Sir, your facetiousness is untimely. I say, a man who kisses a maid—
Baroness
Baron, such people do not understand—
Baron
(kissing her hand) Baroness!
Rachel
(melting) We’re not given the chance.
Baron
Sir, is there no reverence in a kiss ? If you strike a match against the box, even, you wonder at the outburst of fire. Then, sir—but do you wonder at nothing? (
Baker
Nothing’s surprising — but everything is comical, Baron, that’s how I find it.
Baron
(puzzled and distressed) So! So! Ah, but a woman is, according to her image in the eye of the men.
Baker
(looking at the baroness) Some of us must have fancy eyes.
Nurse
How can you be so flippant?
Baroness
A woman is what a man makes her.
Baker
By gum, there’s no tellin’ what you might manufacture in time, then. It’s a big job to begin of.
Rachel
(laughing) For shame, Job Arthur.
Baroness
What have you to say? You bad creature! What wonder men are as they are?
Baker
When the women make them.
Baron
You are of my parish?
Baker
Yes—but I’m in Northrop Church choir.
Baron
You are a chorister? You wish to marry Rachel?
Baker
As I say, I haven’t decided.
Baron
But what are you doing? What of this maid?
Baroness
What does he care! Are you a married man, Baker?
Baker
Not that I know to, Missis.
Baron
Sir, I am an old man, you remind me—
Baker
Beg pardon, Baron.
Baron
And—a powerless—and I will say it, I will—a useless—
Baroness
Baron!
Baron
Sir—I shall soon be called in— and, sir, you are of my parish, Rachel is of my house. What have I done, who am responsible?
Baker
Nay, Baron, I can’t see as you’re to fault.
Baron
My fault, sir, is failure, and failure without honor. In three campaigns, which are my life, I have been miserably beaten.
Baroness
No, Baron, no. How are you to blame?
Nurse
No, Baron, you have not failed.
Baron
In Poland, in London, and in my parish of Greenway. Baroness, we retire to a cottage; I sit still and contain myself, under sentence—Baroness, your pardon!
Baroness
You shall not retire, Baron. Before God, I witness, you are no failure. Ah, Rachel, see now what you’ve done.
Rachel
(weeping) It’s not me.
Baker
Nay, for that matter—would you marry me, Rachel, eh?
Rachel
Opportunity’s a fine thing, you mean.
Baker
Will you marry me, Rachel?
Rachel
I—yes, I will, Job Arthur.
Baron
She loves you, she let you kiss her. But you, sir, do you honor her?
Baker
I do.
Baron
Then will you leave me?
Baker
Good morning, sir—and thank you. (He and rachel leave.)
Baroness
You are not ill, Baron?
Baron
No, Baroness. Nurse, who is this man?
Nurse
The Baker? Oh, he’s Job Arthur Bowers—a bit racketty. He lives down Greenhill with his old mother. She’s as deaf as a post, and a little bit crazed. But she’s very fond of her son.
Baron
Ah! She is mad? She is old? Will Rachel be good to her?
Baroness
I very much doubt it.
Nurse
Rachel will be afraid of Job Arthur Bowers. He is too big for her ever to get her apron strings round him.
Baron
(smiling slightly) I began to be afraid, Nurse—
Baroness
(at the window) He is bringing my lantern.
Nurse
Who? Ah, that’s right.
Baroness
Will you ring, Baron? I will question that young man. We must get to the bottom of last night’s affair, Baron.
Baron
Those ruffians shall not go unpunished. Still I have power for that.
Baroness
(to rachel) Show that young man in here. Nurse, you will help us. We must hold our own against these ungodly creatures. Must we not, Baron?
Baron
Ah, Baroness, still we fight.
Rachel
Harry Hemstock.
Harry
(entering, his head bound up) I’ve brought this ‘ere hurrican-lamp.
Baroness
Thank you. And where did you find it?
Harry
Where you’d lost it.
Baroness
What have you done to your head?
Harry
(after a silence) You should know.
Baroness
There, Baron. I was right. And you would have stolen the lantern if Nurse had not—
Baron
Leave the lantern, Baroness. Sir, who were your accomplices in this nightly attack?
Harry
What’s ‘e mean, Nurse?
Nurse
The Baron means what men were those that attacked the Baroness and him last night. I say they were some men out of Northrop—that you could not recognize them. Mr. Hemstock came to your assistance, Baron.
Baron
Is that so?
Harry
I pulled ‘er off’n thee.
Baron
What is it he says, Nurse?
Nurse
He says he pulled the man away who was trying to hold you.
Baron
Ah! Tell me, sir—who was this ruffian?
Harry
I non know, no.
Baron
Who struck you that blow? That you must know, and that must be told to me.
Harry
Tha ought ter know thysen.
Baroness
You are speaking to the Baron, remember.
Harry
An’t wor him as gin me a crack ower th’ yed.
Baron
Then you were with the enemy. Now I behold you, sir. I will cause you, sir, I will make you to confess. I will see you punished. You shall suffer this course.
Nurse
You arc mistaken, Baron.
Baron
Nurse, I will conduct this inquiry of myself. It is not of myself. But your cowardice, yours and those others’, to attack a lady, by night. There is a penalty for such, sir; I say you are vile, and you shall name me the other villains.
Harry
There was no other villains— without you call a couple of women villains.
Baron
What mean you by a couple of women ?
Baroness
He doesn’t know what he is talking about.
Nurse
There were some men, Mr. Hemstock—from Northrop.
Harry
Well, if there wan, I didna see ‘em. All I sce’d was two women drag-gin’ at th’ old Baron.
Baron
You mean to say we were attacked only by two women—Baroness?
Nurse
He must be mistaken.
Baroness
These people would say anything.
Baron
Tell me, sir, tell me the truth at once.
Harry
I’ve told you the truth.
Baron
It was some men, Baroness? At least, Baroness, one man there was—
Baroness
There was one man—how many more I can’t say.
Baron
The throat of these people is fuller of untruth than a bird’s gizzard—
Harry
It is the truth I’ve told you.
Baron
Nurse — speak — was it two women ?
Nurse
It certainly was men, Baron.
Harry
Well, it certainly wan’t, an’ I’m not a liar.
Baron
Then it was two women?
Harry
It was.
Baron
And a woman lias smitten your head ?
Harry
No, you did that youself, with your thick stick, when I’d pulled our Susy off’n you, An’ I fell over your lantern and it cut me.
Baroness
A likely tale.
Harry
Is it true, Nurse Broadbanks?
Nurse
I think you are mistaken, Mr. Hemstock. Oh, do not be so persistent.
Harry
I’ll not be made a liar of. Wheer’s Rachel?
Baroness
Why Rachel? She has nothing to do with it.
Harry
Fetch her in then.
Nurse
She has just been in. She is engaged to Job Arthur Bowers—
Harry
I don’t care what she is.
Baron
I will ring.
Baroness
Do not, Baron, do not trouble.
Baron
Sir, it was not two women—I defy you, sir. You make me a silly thing; it is your spleen.
Baroness
You had better go, you.
Harry
I’m not going to be made a liar of. (Enter rachel.) Rachel, who was it knocked the Baron’s hat off an’ shook him last night?
Nurse
Do you know the names of those men from Northrop, Rachel?
Rachel
It wan’t him, Baron, he helped you.
Baron
He would patch me with shame. You saw this attack?
Rachel
I was just slipping down to get some milk from Mrs. Smalley, there was none for supper—
Baron
And what did you see?
Rachel
I saw some men, an’ I heard some shouting, and I saw somebody hit him on the head. Then I ran home, and I’d just got in when you came.
Harry
Why, wan’t it you and our Susy as was raggin’ the Baron an’ Baroness, an’ I come up an’ stopped you?
Rachel
Me! Me an’ your Susy?
Harry
You shammer!
Rachel
I know you went up an’ stopped the men, whoever they was—
Harry
So I’m a liar? So I’m a liar?
Baroness
Yes—and you may go.
Harry
So I’m a liar, Nurse Broadbanks? (He goes out.)
Baron
God help us, we begin to believe in the plots they imagine against us. (He looks at his hands.) It was not two women, Baroness?
Baroness
No, Baron, no.
Baron
You saw several men, Nurse?
Nurse
Yes, Baron.
Baron
Rachel—but why weep! Rachel—he defended me against men?
Rachel
(sobbing) Yes, Baron.
Baroness
Rachel, leave the room.

(Rachel leaves.)

Baron
Nurse, I am a soldier.
Nurse
You are, Baron.
Baron
I must reward that—fellow— although—
Nurse
It is good of you, Baron.
Baroness
And you called yourself a failure, Rudolf.
Baron
I can—I must speak for him at the colliery. There I still have some influence.
Nurse
It is so good of you.
Baron
He has suffered already for his opposition. It is not good for the enemies of God to prosper. But I will write to my nephew.
Nurse
I could leave a letter, Baron— I am going past the colliery.
Baron
I will write now—then my honor is free. (Seats himself at the desk.) “My dear Nephew, I am placed under an obligation to that man of whom I have spoked to you before, Henry Hemstock, of the cottage at the end of the glebe close. It is within the bounds of your generosity to relieve me of this burden of gratitude contracted to one of such order. You will, of your fulness of spirit, lap over the confine of my debt with bounty. Your Aunt salutes you, and I reach you my right hand. Rudolf von Ruge.”—The manager of the collieries is as my own son to me, Nurse.
Baroness
And he is a good son. He is my nephew.
Nurse
I will leave the letter.

CURTAIN

Scene II

Time: evening of the same day. Scene: nurse’s room, the sitting room of a miner’s cottage: comfortable, warm, pleasant, nurse in the armchair on one side of the fire. mr. wilcox on the other. He is a stout, elderly miner, with grey round whiskers and a face like a spaniel.

Mr. Wilcox
No, Nurse, I’ve not a bit of comfort.
Nurse
Why shouldn’t Rachel stay and look after you?
Mr. Wilcox
Nay, don’t ask me—an ungrateful hussy. And I can’t seem to get a housekeeper as’ll manage for me.
Nurse
It is difficult.
Mr. Wilcox
I’ve been trying this last ten years, an’ I’ve not had a good one yet. Either they eat you up, or waste, or drink. What do you think today? You know how it was raining. I got home from pit soaked. No breeches an’ waistcoat put to warm—fire nearly out.
Nurse
Oh, it is too bad.
Mr. Wilcox
An’ in the fender, a great row of roast potatoes, hard as nag-nails—not done a bit—
Nurse
What a shame—
Mr. Wilcox
An’ not a morsel of meat to eat to them. She’d aten the great piece of cold mutton left from yesterday, an’ then said I hadn’t left ‘er no money for no meat.
Nurse
How stupid!
Mr. Wilcox
So it was taters—you had to chomp ‘em like raw turnip—an’ drippin’—an’ a bit of a batter puddin’ tough as whit-leather.
Nurse
Poor man.
Mr. Wilcox
An’ no fire—there never is when I come home. I believe she sells the coal.
Nurse
Isn’t it dreadful?
Mr. Wilcox
An’ they’re all alike.
Nurse
I suppose they are.
Mr. Wilcox
They are. You know I’m an easy man to live with, Nurse.
Nurse
I’m sure you are.
Mr. Wilcox
One as gives very little trouble. Nay, I can fettle for myself—an’ does so.
Nurse
I have seen you.
Mr. Wilcox
And I think I deserve a bit better treatment, Nurse.
Nurse
I’m sure you do.
Mr. Wilcox
An’ I ought to be able to get it. If I was drunken or thriftless I should say nothing.
Nurse
But you’re not.
Mr. Wilcox
No, I’m not. I’ve been a steady and careful man all my life. A Chapel-going man, whereas you’re Church—but that’s a detail.
Nurse
It ought not to matter.
Mr. Wilcox
You know, Nurse, I’ve got four good houses—lets at six shillings each.
Nurse
Yes, I know you have.
Mr. Wilcox
Besides a tidy bit in the bank.
Nurse
And you have saved it all?
Mr. Wilcox
Every penny.
Nurse
Ha!
Mr. Wilcox
An’ there’s on’y Rachel. I’d give her a couple of houses straight off, an’ then we should be all right there: nobody could grumble.
Nurse
You could do that, of course.
Mr. Wilcox
Nurse, do you know how old I am?
Nurse
No, Mr. Wilcox.
Mr. Wilcox
I’m just fifty-eight.
Nurse
Hm! I should have thought you were more.
Mr. Wilcox
I’m not.
Nurse
It is comparatively young.
Mr. Wilcox
It’s not old, is it? And though I’ve been a widower these ten years—I’m not—I’m not good for nowt, d’yer see ?
Nurse
Of course you’re not.
Mr. Wilcox
An’ you know, Nurse, you’re just the one for me.
Nurse
(laughing) Am I, Mr. Wilcox?
Mr. Wilcox
Nurse, will you tell me your name?
Nurse
Broadbanks.
Mr. Wilcox
You know I meant your Christian name. Don’t torment me, Nurse, I can’t stand it.
Nurse
I was baptized Millicent Emily.
Mr. Wilcox
“Millicent Emily”—it’s like the “Song of Solomon.” Can I say it again?
Nurse
If you will say it only to yourself.
Mr. Wilcox
My name is James—Jim for short.
Nurse
I thought it was Hezekiah—or Ezekiel.
Mr. Wilcox
Hezekiah’s my second name—James Hezekiah.
Nurse
I like Hezekiah better.
Mr. Wilcox
Do you—I thought you didn’t. Oh, I’m glad you like it. But yours is lovely.
Nurse
I prefer Nurse.
Mr. Wilcox
So do I—nice and short. (A pause.) Shall I sing to you, Nurse?
Nurse
Do you sing?
Mr. Wilcox
Oh, yes—I used to be a great one at “Ora pro Nobis.” Should I sing you “Gentle Annie”? I used to sing that forty years since.
Nurse
When you were courting, Mr. Wilcox?
Mr. Wilcox
Afore that. (He hesitates —goes to the piano and, after fumbling, begins to vamp to “What Are the Wild Waves Saying.” He begins to sing, “lamenloso”)
Nurse
There’s someone at the door! Not hearing, or observing, he continues to play. She opens to
Dr. Foules
they stand smiling. Mr. Wilcox stops playing and wheels round.
Dr. Foules
“Music, when soft voices die, vibrates in the memory.”
Nurse
Mr. Wilcox was enlivening my leisure. Do you know Mr. Wilcoxj, Dr. Foules?
Dr. Foules
I have not had the pleasure till now. (He bows.)
Mr. Wilcox
Good even’—I wasn’t aware as anybody was here.
Dr. Foules
“By rapture’s blaze impelled he swelled the artless lay.”
Nurse
I think Mr. Wilcox sings very well indeed. Will you finish, Mr. Wilcox?
Mr. Wilcox
No, thanks, I must be going.
Dr. Foules
Pray do not let me hasten you away.
Mr. Wilcox
Oh, I was just going. Well—happen you’ll call at our house, Nurse ?
Nurse
I will, Mr. Wilcox. (He leaves.)
Dr. Foules
Did I interrupt you?
Nurse
You did not interrupt me.
Dr. Foules
Then I incur no disfavor?
Nurse
Not for stopping poor Mr. Wilcox at “Brother, I hear no singing”— Poor man!
Dr. Foules
You pity him? nurbe: I do.
Dr. Foules
Ah! Is it of the mind-melting sort?
Nurse
I do not understand.
Dr. Foules
“For pity melts the mind to love”—
Nurse
No—poor man. I can just imagine my mother, if I took him down to Kent. Well, you’ve done a nice thing for yourself—
Dr. Foules
You daren’t face family criticism?
Nurse
I daren’t.
Dr. Foules
Ah! Then he does aspire?
Nurse
Poor old fellow!
Dr. Foules
I do not like your pity, Nurse—however near akin it may be to something better.
Nurse
You have often incurred it, Doctor.
Dr. Foules
Which of the two, Nurse?
Nurse
The pity, of course. I have said “poor boy.”
Dr. Foules
Why?
Nurse
Why? (She laughs.) Because, I suppose, you were pitiable.
Dr. Foules
(blushing) You mean I was to be pitied. Why?
Nurse
Because you were not like the Pear’s Soapy baby—”He won’t be happy till he gets it,” but you went on washing yourself without soap, good as gold.
Dr. Foules
I cannot apply your simile.
Nurse
Perhaps not. I never was literary.
Dr. Foules
You have grown brilliant—and caustic, if I may say so.
Nurse
It is the first time I have been accused of brilliance.
Dr. Foules
Then perhaps I am the steel which sheds the sparks from your flint.
Nurse
Oh, the sparks may come, but they’re not noticed. Perhaps you are only the literary man who catches them on his tinder and blows them into notice. You love a phrase beyond everything.
Dr. Foules
Really—I hardly recognize you, Nurse.
Nurse
And what did your mother say of me?
Dr. Foules
I thank you for calling so soon. Did she seem changed, to you?
Nurse
She looks very ill.
Dr. Foules
Yes, I am worried.
Nurse
You are afraid it is something serious ?
Dr. Foules
Yes.
Nurse
I hope not. But it put me about to see her looking so frail. She was very kind to me.
Dr. Foules
You are very good, Nurse.
Nurse
It is my duty to be sympathetic, Doctor.
Dr. Foules
And use is second nature. I will take courage, Nurse.
Nurse
Will it not be a complete disguise ?
Dr. Foules
Your duty does not extend to me, Nurse.
Nurse
No, Doctor.
Dr. Foules
You wish me to see you in your new guise, Nurse. You stick daw’s feathers among your dove’s plumage.
Nurse
(laughing) What, am I a dove then? It is a silly bird.
Dr. Foules
You have had a hard time, Nurse ?
Nurse
I have got over the hardness, thank you. It is all moderate, now.
Dr. Foules
Might it not be more than moderate ?
Nurse
I hope it will be some day.
Dr. Foules
Could I help it, do you think?
Nurse
Everybody helps it, by being amiable—
Dr. Foules
But might I not help it— more particularly? You used to—
Nurse
Say you are in love with me, Doctor—
Dr. Foules
I have always been—
Nurse
Then the light has been under a bushel.
Dr. Foules
“Blown to a core of ardor by the awful breath of—” (He smiles very confusedly.) I may hope then, Nurse.
Nurse
(smiling) Along with Mr. Wilcox.
Dr. Foules; Thank you for the company.
Nurse
Look here, Arthur, you have lived like a smug little candle in a corner, with your mother to shelter you from every draught. Now you can get blown a bit. I do not feel inclined to shelter you for the rest of your life.
Dr. Foules
Thank you.
Nurse
I am sorry if I am nasty. But I am angry with you.
Dr. Foules
It is evident.
Nurse
And I will still come and see your mother, if I may. She is a woman to respect.
Dr. Foules
I do not order my mother’s comings and goings. The case is the reverse, you remember.
Nurse
Very well. On your high horse, you are more like the nursery than ever.
Dr. Foules
Thank you.
Nurse
(mimicking) Thank you.
Dr. Foules
I am surprised—
Nurse
I am surprised—but—was that someone at the door?
Dr. Foules
I could not tell you.
Nurse
Excuse me, I will see.
Dr. Foules
Let me go, first. (Catching his hat to depart.)
Nurse
(opening the door) You, Mr. Hemstock. Will you come in?

Enter Harry.

Dr. Foules
Good evening, Mr. Hemstock. I will make way for you.
Nurse
“Applications considered Tuesday, between seven and nine P. M.” That is your meaning, Doctor?
Dr. Foules
With your usual astuteness, you have it.
Nurse
With my usual astuteness, I have avoided so far the “Matrimonial Post,” This is the irony of fate, Doctor. It never rains but it pours.
Dr. Foules
(bowing to nurse and Harry): The third time pays for all, they say.
Nurse
(laughing) I will tell you tomorrow.
Dr. Foules
It will not be too late to drop me a post card.
Nurse
I will see. Good night, Dr. Foules.
Dr. Foules
Good night, Nurse Broadbanks. I wish you luck.
Nurse
And life-long happiness.
Dr. Foules
Good night! (Exit.)
Nurse
He is very pleasant, isn’t he?
Harry
They say so.
Nurse
How is Mrs. Hemstock?
Harry
She’s worse. She’s not speakin’.
Nurse
Oh, I’m sorry to hear that. Did you want me to do anything? Poor thing, it will be a relief when she’s gone.
Harry
The ‘owd doctor’s bin. He told us to ax you to see her settled down—
Nurse
Shall I come now?
Harry
Or in about half an hour’s time—when you’re ready.
Nurse
I may as well come now—when I’ve just tidied the room. Are you going to sit up with her?
Harry
No—my father is, an’ our Susy. I’m going to work.
Nurse
Going to work? I thought you hadn’t a place.
Harry
They sent me word as I wor to go tomorrow—buttyin’ wi’ Joe Bir-kin.
Nurse
And will it be a good place?
Harry
Ha! It’s a sight better than ever I expected.
Nurse
Oh, that is nice, isn’t it?
Harry
It’s better nor mormin’ about at home.
Nurse
It is. I’m so glad, Mr. Hemstock. Then you’ll stop at Greenway?
Harry
I’m reckonin’ so. There’s nowt else, is there?
Nurse
No—why should there be? You’ll have to begin afresh after Mrs. Hemstock has gone—
Harry
I s’ll make a start o’ some sort.
Nurse
You will? Do you know, I’ve had old Mr. Wilcox here tonight.
Harry
Oh—ah?
Nurse
He’s so comical. He was singing to me. (She laughs into her hand.)
Harry
He must ha’ wanted summat to do—
Nurse
I think so. You never heard anything like it in your life.
Harry
‘E never wor but dosy-baked. nurse (purring): What does that mean?
Harry
Soft, batchy, sawney.
Nurse
Poor old chap. It’s no use being angry with him, is it? HAnRY: What for?
Nurse
For thinking I would accept him.
Harry
No, it’s not good bein’ mad wi’ him.
Nurse
He looked so crestfallen.
Harry
He’ll be just as game by tomorrow.
Nurse
Of course he will. Men only pretend to be so heartbroken. By sup-pertime they’ve forgotten.
Harry
An’ what’s a woman do?
Nurse
I don’t know. You see it means more to a woman. It’s her life. To a man it’s only a pleasant change.
Harry
To all appearances, you’d think it worn’t such a life-an’-death affair to her.
Nurse
Why?
Harry
Woman is reckoned to be pinin’ for you, goes an’ makes a liar an’ a fool of you in front of other folks.
Nurse
You mean Rachel Wilcox.
Harry
Ah—’appen I do.
Nurse
But, poor old Baron, it would have killed him.
Harry
Then let him die. What good is he, here or anywhere else?
Nurse
Oh, Mr. Hemstock!
Harry
Besides, she did it to spite me, because ‘er wor mad wi’ me.
Nurse
But she is engaged to Mr. Bowers.
Harry
‘Appen so. ‘Er bites ‘er nose off to spite her face. nur8e: But poor old Baron—it would have been so cruel.
Harry
Would he have stopped tellin’ everybody else the truth?
Nurse
But you can’t judge in that way—
Harry
Why canna I? You make a liar an’ a swine of me, an’ a dam’ fool of him—
Nurse
Oh, come, Mr. Hemstock.
Harry
He is a little fool—an’ wants to boss everybody else wi’ it, an’ a’—
Nurse
You ought not to speak of the Baron like that.
Harry
No, it’s all palaver, an’ smooth talk. I’ll see anybody in hell before I’m fed wi’ mealy-mouthed words like a young pigeon.
Nurse
I think you don’t know what you’re talking about.
Harry
Dunna I though, but I do. I’m not going to be made a convenience of, an’ then buttered up, like a trussed fowl.
Nurse
There is no one wants to butter you up, to my knowledge.
Harry
All right, then—then there isn’t.
Nurse
And all this, I think, has been very uncalled for—and unnecessary.
Harry
All right, then—an’ it has. But I’m not a kid, nor to be treated like one—
Nurse
It’s there you make your mistake.
Harry
Nay, it’s somebody else as had made a mistake.
Nurse
Yes—we do think the quiet vessels are the full ones. But it seems they only want shaking to rattle worse than any.
Harry
All right. Say what you like.
Nurse
Thank you, I don’t wish to say any more, except that I pity whoever has you, for you seem to be in a state of chronic bad temper.
Harry
All right—I’ll be going. nurse (who has been tidying the room)’. I will be at your house in ten minutes.
Harry
There’s no occasion to hurry— am I to wait for you?
Nurse
No, thank you—I would rather come alone.

CURTAIN

ACT IV

Scene I

Time: the evening succeeding the last scene. It is the third day of the play. Scene: the kitchen at the Hemstocks’.

Nurse
And what about the fire in the room?
Susy
I’ll let it go out and take the ashes up by daylight. It’s falling dusk, an’ I don’t like being in by myself.
Nurse
Poor Mrs. Hemstock—she went away quickly at the last. Susy (red-eyed—sniffing)’. She did that. Eh, but wan’t she wasted? A fair skeleton! I’m glad you laid her out, Nurse.
Nurse
I shall miss her. I’ve been coming here over a year now.
Susy
I hope I don’t lie like that. She used to be as strong as a horse. But she was hard, you know.
Nurse
Perhaps she had enough to make her.
Susy
She had—wi’ my father an’ the lads. She was easiest wi’ our Harry. He was always mother’s lad.
Nurse
Yet they have been so indifferent—
Susy
At the bottom they haven’t. She never forgave him for going with Rachel Wilcox—an’ he was always funny-tempered, would rool up like a pea-bug, at a word.
Nurse
I thought she favored Rachel Wilcox.
Susy
No, hated her; but she used her to make game of him.
Nurse
She is engaged to the Baker now.
Susy
Yes. He’s only having her for her money—an’ she’ll hate him when she’s rubbed the fur off a bit. But she’s one would fuss round a pair of breeches on a clothesline, rather than have no man.
Nurse
I don’t like her.
Susy
Not many does. She fair pines for our Harry, yet she’d have Job Arthur for fear of getting nobody. nur8e: How dreadful! (She goes for her cloak.)
Susy
Nay, dunna go. Stop an’ ha’e a cup o’ tea. I durstn’t stop in by my-sen. The kettle’ll boil in a minute.

(She lays the table.)

Nurse
I really ought to go.
Susy
Don’t, I should be scared to death. You’ll stop five minutes, Nurse.
Nurse
A quarter of an hour.
Susy
(staring) What’s that?
Nurse
(going to the door) It’s only Patty.
Susy
She’s been that lost a’ day without our Harry.
Nurse
Poor old Patty!

Enter Harry.

Susy
Tha’rt a bit sooner than I thought fer.
Harry
(surly) Am I?
Susy
I hanna been able to get thee no dinner.
Harry
Why?
Susy
She on’y died at two o’clock— an’ we’ve been busy ever sin’, haven’t we Nurse?
Nurse
We have, Mrs. Smalley.
Susy
Shall ter ha’e tea wi’ me an’ Nurse ?
Harry
No.
Susy
What then?
Harry
Nowt.
Suzy
Shall ter wesh thysen?
Harry
Ha.
Susy
Pump wor frozen this mornin’—
Harry
I know.

Susy fetches a large red pancheon from outside, puts in cold water, brings towel and soap, setting all on a stool on hearth-rug. Harry sets tin bottle and knotted snap-bag on table, takes off his cap, red wool scarf, coat, and waistcoat. He pours hot water from boiler into pancheon, strips off his singlet or vest—he wears no shirt—and kneels down to wash. Nurse and Susy sit down to tea.

Nurse
(to Harry) You must be tired today. (No answer.)
Susy
I bet his hands is sore—are they? (No answer.) Best leave him alone— they always grumble about their hands, first day.
Harry
Wheer’s my Dad?
Susy
Gone to registrar’s.
Nurse
Yes, they must take some time to harden.
Susy
Shall you sit there, Nurse? I’d better light the lamp, you can’t see.
Harry
Tha nedna.
Susy
What’s thaigh to stop me for?
Nurse
No—I like the twilight—really.
Susy
There’s a lot o’ dirt wi’ a collier —an’ mess.
Nurse
Yes.
Susy
I allers said I’d not marry one. I’d had enough wi’ my father an’ th’ lads.
Nurse
They say it’s clean dirt. busy: Is it? Muck an’ mess, to my thinkin’.
Nurse
Yes, I suppose so. I used to think it would be dreadful.
Susy
But you’ve altered.
Nurse
Well, I’ve thought about it—I’m afraid I should never fit in.
Susy
No—you’re too much of a lady—you like a lady’s ways.
Nurse
I don’t know. Perhaps one does get a bit finicky after a certain time.
Susy
(to Harry) Dost want thy back doin’? (He grunts assent. She washes his back with a flannel, and wipes it as she talks.)
Nurse
It’s the thought of it day after day, day after day—it is rather appalling.
Susy
The thought of any man, like that, is.
Nurse
(smiling) It was not the man—it was the life—the company one would have to keep.
Susy
Yes. So you wouldn’t marry a collier, Nurse?
Nurse
Yes, I would—for all that. If I cared for him.
Susy
That makes the difference.
Nurse
It does.
Susy
I can’t imagine you married to a collier.
Nurse
Sometimes it seems mad, to me; sometimes it doesn’t.
Susy
I shouldn’t ha’ thought, though, Nurse, you’d ha’ had one—
Nurse
No? I might.
Susy
Not an old one?
Nurse
Certainly not an old one. Not Mr. Wilcox.
Suzy
Ha. Have another cup? I wish Patty would keep still. She fair worrits me. I’m sure I’d like to drop your cup, she made me jump that much.
Nurse
I am surprised you are nervous.
Susy
We all are. I wonder, Nurse, where my mother’s will is?
Nurse
Oh—I meant to have told you. In the socket of the bedpost nearest the drawers, at the top.
Susy
Would you believe it!
Nurse
She was very quaint sometimes. Poor Mrs. Hemstock.
Susy
Do you think she was in her right mind?
Nurse
Oh, yes—and Doctor does, too.
Susy
Well—I used to have ray doubts.
Nurse
Poor Mrs. Hemstock.

A knock.

Susy
Oh!
Rachel
(entering) I thought there was nobody in, seeing no light. Is Nurse here?
Nurse
Yes.
Rachel
The Baroness wants you to go up, she’s got a pain. I’ve been to your place for you.
Nurse
Poor Baroness! What is the matter ?
Rachel
She’s got a pain in her shoulder.
Nurse
Rheumatism?
Rachel
She says she believes it’s pleurisy.
Nurse
(smiling) Poor old Baroness; she does fancy.
Rachel
But she won’t pay for a doctor, fancy or no fancy, not if she can help it. Her fancy mustn’t cost her anything.
Nurse
She knows I can treat her. I can go straight there.
Rachel
Oh, an’ will you go an’ see what’s up with my father? He’s not been to work—been in bed all day— can’t eat—won’t have the doctor—fading away—
Nurse
That is sad! What ails him?
Rachel
I don’t know—Minnie’s been up for me. Says he feels hot inside, an’ believes he’s got an inflammation.
Nurse
I’ll call if I have time. I must go.
Rachel
He’s done nothing but ask were his eyes bloodshot, and would Minnie be frightened if he turned delirious. She’s frit—an’ I can’t go down—
Nurse
I will call. Good night, everybody. (Exit.)
Susy
I must light the lamp.
Rachel
I didn’t hear till four o’clock as she’d gone. Was she unconscious? busy: Yes, all day.
Rachel
(to Harry—who is struggling into his shirt) And was you at work? Fancy, you been at home all this time, then it to happen the first day you was away. Things do happen cruel.
Susy
Shall you give him his tea, while I go an’ see to my lad?
Rachel
I mustn’t be long, (busy goes out.) What shall you have?
Harry
Nowt.
Rachel
Oh, you must ‘ave somethink. Just a cup of tea, if nothing else. Come on—come an’ sit here. See, it’s waiting. You must be fair sinkin’ after bein’ at work all day. I’ve thought of you every minute, I’m sure. I’ve heard the driving engines shuddering every time, an’ I’ve thought of you. (She cuts bread and toasts it.) They say you’re hard, but they don’t know. (Suspicion of tears.) I used to think myself as you was a kid, a frightened bit of a rabbit—but I know different now. (Tears.) I know what you’ve had to go through—an’ I’ve been a cat to you, I have. I know what you’ve felt—as if you was pushed up against a wall, an’ all the breath squeezed out of you—her dyin’ by inches—an’ I’ve been a cat to you. (She butters the toast.)
Harry
Tha needna do that for me.
Rachel
Yes, do eat a bit—you’ll be sinkin’. I’ve had no tea—I’ll eat a bit with you, if you will. (She sits down, drinks tea, and eats a little.) You know I’ve fair hated myself—I’ve wished I was dead. But I needn’t talk about myself. Are your hands sore?
Harry
A bit.
Rachel
I knew they must be—because you’ve worked like a horse, I know you have, to stop thinking. I can see you’re dog-tired. Let me look. (She takes his hand.) Fair raw! (Melting into tears.) You don’t care a bit about yourself, you don’t, an’ it’s not fair.
Harry
Tha hasna bothered thysen above thy boot-tops.
Rachel
I know I haven’t. Ob, I was jealous of your mother, ‘cause I knowed you was fonder of her—
Harry
Tha nedna—(She weeps—he hides his face.)
Rachel
I s’ll never forgive myself—
Harry
Dunna—
Rachel
sobbing, goes to him, takes his head on her bosom, and rocks it
Rachel
An’ I’ve been such a cat to thee, Harry.
Harry
(putting his arms round her waist) I’ve not seen her for two days.
Rachel
Never mind, never mind. She’s been wandering—never mind.
Harry
Now ‘er’s gone.
Rachel
Never mind, we s’ll die ourselves someday, we shall. I know tha loved her, better than me—tha allers would—I know. But let me be wi’ thee. (She sits down on his knee.) Let me stop wi’ thee, tha wants somebody. An’ I care for nowt but thee—tha knows I do.
Harry
Should we go an’ look at her?
Rachel
(kissing him) We will. (She kisses him again.) Tha’s been like a bird on a frozen pond, tha has. Tha’s been frozen out—
Harry
Rachel?
Rachel
What?
Harry
Dunna kiss me yet—
Rachel
No—I won’t—I won’t.
Harry
Afterwards—
Rachel
Yes I know—I know. (Silence a moment.) Come then, we’ll go an’ look at her. (She lights a candle, takes his hand. They go into the front room.)

Enter Susy.

Susy
Where are they? I’d think they’ve carted off an’ left th’ ‘house empty. (Calls.) Rachel! Oh my goodness! Harry! (Enter Rachel and Harry, both with red eyes, from the sickroom.) Oh, here you are.
Rachel
Yes. Did you think I’d gone?

Harry pulls on his coat and goes out.

Susy
Yes—you said you was in a hurry.
Rachel
I shall have to be goin’.
Susy
I wish my father would come. Is he grumpy yet?
Rachel
Harry? No, he’s not grumpy, no.
Susy
What? Have you made it up?
Rachel
There was nothing to make.
Susy
I’m glad to hear it. What about Job Arthur?
Rachel
I never did care a bit about him or anybody else—
Susy
No, but—
Rachel
Well, but what?
Susy
Has he asked you? Has he promised you? Our Harry?
Rachel
Yes, not in words—but I know.
Susy
You don’t. Nurse wants him, an’ Nurse’Il get him.
Rachel
She won’t.
Susy
You see.
Rachel
Don’t you fret your fat. He’s not that easy to grab.
Susy
But he’s got a fancy for Nurse. He’s as proud as they make ‘em, an’ it would just suit him to crow over us, marryin’ a lady.
Rachel
A lady!
Susy
Well, you know what I mean. An’ I believe there’s summat in the will for her. My mother harped on her an’ our Harry—
Rachel
An’ does she know?
Susy
She’s not far off o’ guessin’, I’ll be bound. She is a deep one, Nurse is.
Rachel
She is. Oh, she’d soon know everything if she got a sniff. An’ has your father got the will?
Susy
No, it’s in the front room.
Rachel
Well—you should get it, an’ see what it says. You should come in for something, and then—
Susy
Durst you come with me?
Rachel
Yes, I durst come.
Susy
Should us then?
Rachel
Yes, let us. You could burn it if there was owt you didn’t like.
Susy
Durst you get it? (She lights a candle.)
Rachel
Yes, if you’ll show me. (They go into the next room.)
Susy’s Voice
Doesn’t it smell cold a’ready. Oh!
Rachel’s Voice
It does.
Susy’s Voice
: Look, you want to get on this table. This blessed candle does jump.
Rachel’s Voice
I could ha’ sworn tha sheet moved.

A shriek from Susy—shrieks from Rachel — a bump — more shrieks. Susy rushes across the kitchen out of doors. In a moment Harry appears in the outer doorway, Rachel flies blindly into him.

Harry
Whatever’s up?
Rachel
Oh Harry! Oh Harry!
Harry
Well—what’s up? What’s ter got in thy hand?
Rachel
Oh, whatever was it? Let’s go.
Harry
What wor what? What! (He starts as Patty walks mildly from the front room.) It wor nowt but our Patty.
Rachel
I thought I should have died.
Harry
What wor ther doin’?
Rachel
I fell off that table. Oh, and I have bruised my arm.
Harry
What wor you doin’? What’s this?
Susy
(entering) Oh Rachel!
Rachel
It was only Patty.
Susy
Did you get it? Oh, look at our Harry opening it!
Harry
Why, it’s th’ will. I sh’d ha’ thought you’d have more about you—. (He reads.)
Susy
What’s it say?
Harry
Look for thysen, if tha’rt in such a mighty hurry.
Susy
(reading) Five hundred and fifty pounds for him and Nurse Broadbanks if they marry—an’ if not, to be divided between me an’ him. What did I say! Would you credit, now? But there’s one thing, Nurse won’t have him.
Rachel
He doesn’t want her.
Harry
She’s worth a million such as you, cats as wants nowt but to lap at a full saucer. You couldna let her lie quiet for five minutes, but must be after her bit of money.
Rachel
Indeed, I didn’t want the money.
Susy
He wants it himself, an’ that’s what he’s been contrivin’ for all along —him an’ that slivin’ Nurse. There’s a pair of ‘em.
Harry
There’s a pair of you, more like it—a couple of slitherin’ cats, nowt else. No more you think of her, than if she wor a dead fish wi’ the money in her mouth. But you shan’t have it, you shan’t, if I can scotch you.
Rachel
Oh, Mr. Sharp-shins, you think you know everything, do you? You’re mistaken. It’s not fair, it isn’t. I only—
Harry
Tha needs to tell me nowt.
Nurse
(entering) Oh, you are here! The Baroness asked me to call and see where you were, Rachel.
Rachel
And now you’ve seen, you can go back an’ tell her you’ve been.
Harry
They’ve been after th’ will, couldna let her rest still in htr own room, but what must they do, go ferretin’ for her money—
Susy
Shut thy mouth, tha’s said enough.
Harry
That I hanna. They’d claw the stuff out of her hand, if it wor there—
Susy
Hadn’t we a right to see the will?
Harry
There’s a lot of right about you. Here, come here. Give us hold of it. busy: I shan’t.
Harry
What! Now, Nurse, thee read it. We’n all read. Now thee read it. (nurse reads.) Hast got it all? Tha sees?
Nurse
Yes, I understand it.
Harry
An’ what dost say?
Nurse
I say nothing.
Susy
This is what she’s been working for.
Harry
Then let them as has worked be paid. What? I say “snip,” Nurse, will tha say “snap”? Come on— “snap” me, Nurse. Say “snap.” Snip?
Nurse
This is hardly the occasion.
Rachel
He doesn’t love you, Nurse. This is only his temper.
Nurse
I think, out of respect to the dead, we ought not to go on like this.
Susy
You’ll be precise and proper— all lardy-da. Oh yes—but you’ve got what you’ve been aiming at, haven’t you? You’ve worked it round very clever. You see what carneyin’ ‘11 do for you, Rachel. If you’d ha’ buttered your words, you might ha’ been all right.
Rachel
I couldn’t creep.
Harry
No; you could slither, though.
Nurse
I’m afraid I must be going.
Susy
Yes, you can smile to yourself, and hug yourself under your cloak in the dark. It’s worth marryin’ him for, five hundred and fifty pounds.

Nurse goes out.

Harry
She’s a lady, she is, an’ she makes you two look small.
Rachel
Well, Harry, you can think what you like about me: and you always have thought me as bad as you could imagine. But I only did it to help Susy—and all I’ve done I’ve done with you sleering at me. An’ I shan’t marry Job Arthur; I s’ll go in service in Derby. An’ you needn’t sleer at me no more—because it’s your fault, even more than mine.
Harry
A’ right, ma’e it my fault.
Rachel
As much as mine, I said.
Harry
Dunna let me stop thee from ha’ein’ Job Arthur.
Rachel
Job Arthur’s a man as can play his own tune on any mortal woman, brazen as brass, or cuddlin’ as a fiddle—
Harry
Or as ronk as an old mouth organ.
Rachel
Or like a bagpipe as wants squeezin’, or a mandolin as wants tickling. He gets a tunc out of the whole job lot, the whole band—
Harry
Shut up.
Rachel
But I’ll buy you a cuckoo-clock to keep you company.
Harry
I’ll buy my own.
Rachel
(flapping her arms suddenly at him) Cuckoo! Cuckoo! Cuckoo!

CURTAIN

ACT V

Time: the Sunday following the last scene. Place: the porch of Grun-stom Church. The hemstocks have attended the due post-funeral service. Mourners are leaving the church.

1st mourner
Well, I niver knowed the likes—
2nd mourner
What? 1st mourner: Nurse Broadbanks to be axed wi’ old Hezekiah Wilcox, an’ Job Arthur Bowers wi’ Rachel Wilcox. 3rd mourner: An’ what about it? 1st mourner: Well, I never thought Nurse would have him an’ everybody said Job Arthur would never marry now.
2nd mourner
I’m not surprised at neither of ‘em.
1st mourner
I was never more taken in in my life. (Exeunt.)
Susy
No!
8rd mourner
I don’t call it decent-two sets of banns put up at a funeral Sunday. They might ha’ waited till next week.
Susy
I’m going to see about this.
3rd mourner
Yes, th’ old Baron wants telling, the old nuisance, for he’s nothing else. (Exeunt.)
4th mourner
(sighing) That did me good. I’m sure I’ve fair cried my eyes up.
5th mourner
You can’t make out half the old Baron says, but he makes yon feel funny.
4th mourner
As if you’d got ghosts in your bowels. An’ when he said—what was it?
5th mourner
Was it Hezekiah Wilcox wi’ Nurse Broadbanks?
4th mourner
Yes—fancy ‘em both bein’ there to hear it. What a comedown for her.
5th mourner
I dunno. The old chap’s tidy well off—
4th mourner
But he’s mushy—he slavers like a slobbering spaniel—
5th mourner
Well, women like that sort. (Exeunt.)
Mr. Hemstock
I allers thought ‘er’d a worn widow’s weeds for me—
Harry
Dost wish it wor that road about?
Mr. Hemstock
Nay, I non know—
Harry
Are ter stoppin’?
Mr. Hemstock
I want ter speak ter Nurse.
Harry
I’m goin’ then.
Mr. Hemstock
Dunna thee—tha wait a bit.
Harry
Nay. (Exit.)
Baker
(in very genteel black) Good morning, Mr. Hemstock.
Mr. Hemstock
Good morning.
Baker
We got more than we bargained for.
Mr. Hemstock
Yes, a bit surprisin’.
Baker
I’m going to strike—Nurse for a mother-in-law is too much for a good thing. Why, bless me, you want to be careful what relatives you have—some you can’t help—but a mother-in-law, you can.
Mr. Hemstock
I want to speak to Nurse.
Mr. Wilcox
(frock-coated) You’ve ‘ad a big loss, Mr. Hemstock—I’ve been through it myself, so I know what it is.
Baker
Here, I say, Hezekiah—I don’t mind you for a father-in-law—
Mr. Wilcox
Hello, Job Arthur! Well, I never! I am surprised, I can tell you.
Baker
So’m I.
Mr. Wilcox
But it’s a glad surprise—I’d rather say “My son” to you, Job Arthur—
Baker
Hold on a bit, Hezekiah; you’ve always stood me as a good uncle, let’s leave it at that.
Mr. Wilcox
I’ll make you a wedding present of it, Job Arthur—that little thing, you know.
Baker
I do, worse luck! I’ve pledged my soul and my honor to you, uncle, my uncle on the pop-shop side, but my body’s my ewe lamb—I don’t sell. Good morning, Dr. Foules.
Dr. Foules
Good morning. Er—excuse me—but Nurse Broadbanks has not gone yet?
Baker
Not yet, Doctor. Here’s her husband-that-is-to-be waiting for her.
Dr. Foules
Ha!
Mr. Wilcox
Nurse has not gone yet, Doctor.
Dr. Foules
Thank you.
Baker
Let’s have a look! (He peeps into the church.) Oh—oh Baron, may I speak to you?

Enter Baron, in surplice, with Baroness and Nurse.

Baron
And you, what have you to say?
Baker
Not much. Only there’s a bit of an alteration wants makin’. Rachel’s given me the sack.
Baron
I do not understand, sir.
Baroness
He wishes to escape from his promise. He wishes to dodge Rachel.
Baron
You, sir, have you not given your word?
Baker
And you’re welcome keep it, for what it’s worth. But you can’t cork a woman’s promise, Baroness. In short, Baron—and Mr. Wilcox—Rachel has asked to be released from her engagement—hem!—with me—and I have felt it my duty to release her. (He bows.)
Baron
It is an indignity to the Church. It is insult to the Holy Church.
Baroness
I do not believe this man. It is his ruse to escape from a bond.
Mr. Wilcox
Yes, my lady, that’s what it is—my poor girl—Nurse! Nurse?
Nurse
Let Rachel come herself.
Baroness
She shall. baron (to mr. hemstock): Go and bring Rachel here.
Mr. Hemstock
(shrugging) Where am 1 to go?
Nurse
Please, Mr. Hemstock. (He goes.)
Baron
Sir, I believe you are a scoundrel.
Baker
I wouldn’t deny it, Baron.
Dr. Wilcox
No—we know him too well —he’d better not begin denyin’.
Nurse
This is the man, Baron—the— the—the Wilcox.
Baron
What! What!
Baroness
What do you mean, you old wicked man, insulting Nurse in this fashion?
Baron
You—you—you, sir! If you speak I will cut you down. The double shame, the double blasphemy! Ah! Leave from my sight—go—don’t stir, sir, till you answer.
Dr. Foules
May I ask, Nurse, if I am to congratulate you on your banns?
Nurse
I should think you have no need to ask. I am ready to die. I am so mortified and ashamed.
Baker
Hello—I am only the mote in the eye of the Church, am I? Oh uncle, uncle!
Dr. Foules
Then it is a mistake?
Nurse
Worse. It is a mean, base contrivance to trap me. I knew nothing of these banns—I could have dropped. He knows I wouldn’t marry him—no, not if—not if—
Baker
You died in a ditch with your shoes on. I’m undone this time, curse it. Uncle, have a pound of flesh, wiU you, instead? I could spare a pound and a half, cut judiciously.
Baron
What do you say, sir?
Baker
I’m inviting him to have his pound of flesh, instead of his two hundred pounds of money. Though it’s dear meat, I own.
Nurse
What do you mean, Mr. Bowers?
Baker
I owe him 180, and he’ll foreclose on our house in a couple of months, Then goodbye my bakery, and they cart my old mother to a lunatic asylum, though she’s no more mad than I am.
Baroness
And what have you done with the money?
Baker
Paid some of my debts, Baroness—and some of it I have—as it were, eaten. So in a pound of flesh he’d get his money glorified.
Baron
What do you say, sir?
Mr. Wilcox
I say nothing.

CURTAIN

Scene II

Time: the same. Scene: the vicarage garden wall, under which runt the path, rachel looks over the wall; enter Harry.

Rachel
All by yourself? Where’s the others ?
Harry
Stopping.
Rachel
Did they give my father’s banns out?
Harry
His’n an’ thine.
Rachel
What! Mine! Why, I told Job Arthur as I wouldn’t have him.
Harry
‘Appen so.
Rachel
I did. An’ he’s never told the Baron. Whatever shaU I do?
Harry
What?
Rachel
You don’t believe as I told him.
Harry
I believe nowt.
Rachel
But I did, an’ he’s agreed. And did they ask my father and Nurse?
Harry
Yes,
Rachel
Oh—but I shan’t have him— I shan’t. The Baron’U give it me— but I shan’t have him. You needn’t believe me, if you don’t want to.
Harry
When did ter tell Job Arthur?
Rachel
Yesterday. An’ he was glad. He doesn’t really care for me.
Harry
Are ter having me on?
Rachel
May I be struck dead this minute if I am.
Harry
An’ what shall ter do?
Rachel
I don’t know—go to Derby. Perhaps I’ll learn to be a nurse.
Harry
She’s marryin’ thy father.
Rachel
(melting into tears) Don’t— tha’s hurt me enough. (Dashing away her tears.) Well, I must go in and see to the dinner. Then I’ll tell the Baron, and have my head bitten off. (She turns to go.)
Harry
Are ter sure tha told Job Arthur?
Rachel
Go and ask him.
Harry
There’s no tellin’ what tha does.
Rachel
No—there isn’t—-for the simple reason that I’ve built my house on the sand.
Harry
How dost mean?
Rachel
You know right enough. Well, I’ll go an’ warm th’ rice pudding up.
Harry
Rachel—dost care for me?
Rachel
You’ll make me wild in a minute.
Harry
Rachel—dunna go—it’s that lonely.
Rachel
I s’ll have to go and put that pudding in,
Harry
Come down here first—a minute.
Rachel
Come you up here.
Harry
(climbing up) Rachel.
Rachel
What?
Harry
It seems that quiet-like—dunna go an’ leave me. I go rummagin’ down i’ the loose ground, to look at th’ coffin.
Rachel
Do you?
Harry
I do. I feel as if I should have to get at her an’ mak’ her speak. I canna stand this dead o’night quiet.
Rachel
No.
Harry
Comin’ out of church into this sunshine’s like goin’ in a cinematograph show. Things jumps about in a flare of light, an’ you expect it every minute to go out an’ be pitch dark. All the shoutin’ an’ singin’, an’ yet there’s a sort of quiet, Rachel.
Rachel
Never mind—it will be so for a bit.
Harry
I canna be by myself, though, I canna.
Rachel
There are plenty of people.
Harry
Nay, I non want ‘em.
Rachel
Only Nurse.
Harry
Nor her neither—never.
Rachel
‘Appen so.
Harry
Tha doesna believe me?
Rachel
“I believe nowt.”
Harry
I wish I may drop dead this minute if I ever did care for her.
Rachel
(smiling) You thought you did?
Harry
‘Appen I did think so.
Rachel
I know you did.
Harry
But ‘er knows nowt about me, like thee.
Rachel
No.
Harry
Shall ter ha’e me, Rachel?
Rachel
You want me?
Harry
Let us be married afore the week’s out, Rachel. Dunna leave me by mysen.
Rachel
Are you in a hurry now, at the last pinch?
Harry
Shall ter, Rachel?
Rachel
Yes. (He kisses her.)
Mr. Hemstock
(entering) I should ha thought you’d more about you than to be kissin’ there where everybody can see you—an’ today.
Rachel
There’s nobody but you.
Mr. Hemstock
You don’t know who there is.
Rachel
And I don’t care. We’re going to be married directly.
Mr. Hemstock
It’ll look nice, that will—his mother buried yesterday.
Harry
It ma’es no difference to her, does it?
Mr. Hemstock
Tha’rt a fawce un, Rachel. Tha’s contrived it, after a’. Tha’rt a fawce un, an’ no mistake. But tha’s got to come to the Baron.
Rachel
What for?
Mr. Hemstock
Nay, dunna ask me. Tha’d better look sharp. Ma’e thy heels crack.
Rachel
What’s up now, I wonder? (They go out.)

CURTAIN

Scene III

Time: the same. Scene: the church porch.

Baron
Do not speak, sir. You have vilified me, you have held up the Church to ridicule.
Mr. Wilcox
I can speak, can’t I?
Baron
Do not speak, you shall not, do not speak. We will not hear your voice. You are a blasphemer.
Mr. Wilcox
I can’t see but what a Methodist’s as good as a Church, whatever. What have I done, what have I done?
Baroness
What have you done!
Mr. Wilcox
Whatever anybody says, there’s nobody can say I’ve never done anything as wan’t right.
Baron
What, sir, what—
Baker
Here’s Rachel.
Susy
I’U bet it’s her doin’s. She’s the deepest I ever met, bar none.
Baron
Rachel?
Rachel
Yes, Baron.
Baron
Who wrote to see the letter of the banns for your father and Nurse?
Mr. Wilcox
I did.
Baron
Scoundrel! Impostor!
Nurse
You had not the slightest justification for it.
Dr. Foules
Surely, Nurse, you are flattered. A woman loves a peremptory wooing.
Mr. Wilcox
You accepted me on Friday night, Nurse, you know you did.
Nurse
I did no such thing.
Baker
Now, Rachel, speak up. I say you’ve refused me—
Rachel
So I have.
Baker
Of course. And I forgot to take the banns back.
Rachel
That’s your lookout.
Baron
Rachel! Ah, insolent!
Baker
Now, my case settled—did Nurse accept your father? Of course not.
Rachel
She did.
Mr. Wilcox
There you are.
Nurse
I did not. I would not demean myself. I did not.
Baroness
This is very funny, Nurse.
Baron
I have spoken the banns.
Mr. Wilcox
Come now, Nurse.
Nurse
You horrid, hateful old man. You know you worked yourself into a state, I thought you were delirious, and I had to promise anything.
Mr. Wilcox
A promise is a promise.
Susy
Of all the deep-uns, Rachel, you cap all.
Rachel
What’s it to do with mc?
Nurse
You pestered and pestered and pestered me.
Dr. Foules
All’s fair in love and war, Nurse.
Baron
What were the exact words?
Rachel
“Yes, yes. I’ll marry you— if you’ll settle down now and go to sleep.”
Nurse
Why! What! You are an underhand thing.
Rachel
What if I did happen to hear?
Nurse
You were listening!
Rachel
I could hear it all.
Nurse
How hateful, how hateful!
Baron
I do not understand—explain.
Nurse
He was shamming—
Mr. Wilcox
She’s had me on a string—
Rachel
She’s sniffed at him for months, wondering whether or not to lick him up.
Dr. Foules
The debatable tit-bit.
Baron
I will understand this matter. Speak, Nurse.
Nurse
He shammed fever, delirium— and to comfort him, to soothe him, I said I would marry him. I thought he was raving. And I would not marry him—I’d rather beg in the streets.
Mr. Wilcox
Oh, but Nurse, Nurse, look here.
Baron
Silence, sir, silence. You arc a base, malingering pulamiting wretch.
Rachel
Well, she came to see him often enough, and stopped long enough—
Baroness
You cannot, Baron, blame the man for everything. dr. foui.es: A man who was delirious in fever on Friday night would hardly be disporting himself at church on Sunday morning—
Mr. Wilcox
I’m not disporting myself.
Baroness
I don’t know. It’s not much, and there are 3till miracles.
Dr. Foules
Surely miracles are not wasted on—Methodists, Baroness? baronrss: I do not know—I do not know. Rachel, did you put the pudding to warm?
Rachel
Yes’m.
Baroness
Then it’s burnt to a cinder.
Baron
You, sir, you Wilcox, are a base scoundrel.
Mr. Wilcox
She shall pay for this.
Nurse
I must have it contradicted—I must.
Baker
I will contradict it, Nurse. dr, foules: And I.
Mr. Hemstock
And me.
Harry
An’ me.
Baroness
But I’m not so sure—
Baron
Enough, enough. I am again a disgrace and a laughing stock. You, sir, you Wilcox—
Mr. Wilcox
What, Baron von Ruge?
Baron
You—you—you are a scoundrel.
Baker
It’s old news.
Baron
I withdraw and refute these double banns next Sunday.
Mr. Wilcox
Not with my consent.
Baron
Do not speak. And in the public paper must be refutation.
Nurse
Oh, isn’t it dreadful! busy: Folks shouldn’t shilly-shally.
Baron
And then—I have done.
Dr. Foules
Perhaps you can say there was a mistake. Substitute my name for that of Mr. Wilcox.
Baker
All’s fair in love and war. Substitute Mrs. Smalley’s name for Rachel’s.
Rachel
A change for the better is always welcome. Substitute Harry Hem-stock for Job Arthur Bowers.
Baron
This is madness and insult.
Dr. Foules
It is deadly earnest, Baron. Nurse, will you be asked in church with me next Sunday?
Baker
Susy, will you be asked in church with me next Sunday?
Harry
Rachel, shall you be axed in church with me next Sunday?
Baron
Enough, enough! Go away, I will suffer no more of this!
Baroness
Such wicked frivolity! Rachel, go home at once to see to that pudding.
Dr. Foules
We are most deeply serious, Nurse, are we not?
Baker
Susy, are we not?
Harry
Rachel, are we not?
Rachel
Chorus of ladies, “Yes”! nurse and
Susy
Chorus of ladies, “Yes”!
Dr. Foules
Millicent Broadbanks— Arthur William Foules. raker: Job Arthur Bowers—Susan Smalley, n6c Hemstock, widow.
Harry
Rachel Wilcox—Harry Hemstock.
Baron
Away! Away!
Dr. Foules
Baron, you should play Duke to our “As You Like It.”
Baron
I do not like it, I will not.
Susy
Then lump it.
Mr. Wilcox
I call it scandalous, going on like this.
Rachel
Like it or lump it, Father, like it or lump it.
Dr. Foules
You accept me, Nurse?
Nurse
I do, Doctor. (He kisses her hand.
Baker
You accept me, Susan?
Susy
This once, Job Arthur. (He kisses her cheek.)
Rachel
(after a moment) Come on here, Harry. (They kiss on the mouth.)
Baron
Go away from here. You shall not pollute my church.
Baroness
It is disgraceful.
Mr. Wilcox
They want horsewhipping, every one of them.
Mr. Hemstock
Well—I must say—
Dr. Foules
It’s “As You Like It.”
Baker
It’s “As You Lump It,” Hezekiah.

CURTAIN

 

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