Inasmuch as our faces
bear resemblance,
now, to what
I imagine of them
as they were then,
they are parallel strands
of a single shoreline:
one of wet sand
along the water, hardened,
pressed into itself
wave after wave; the other
as loose sand skewed
by wind, or—slowly—
sieved grain
by grain through
open hands,
as skin catches light
to cast its shadow;
where they join, shifting
margin, memory’s
most actual arrangement:
less two unified forms
than a single form cleaved,
concessions of dry land to sea.