whiteness

Once long ago—before Georgia was born, before getting married, in the days when apartments consisted of pee-stained futons and speaker wires tracing across the floor, guitars laid lovingly in their plush cases, overflowing ashtrays, no artwork, no plants, only temperamental cats for decoration—Carrie wrote a song about divorce that became a college-radio hit.

A genius of the South. An embarrassment to the race. Singular American author; craven literary con artist. She was a loving champion of Black vernacular; she was a mundane writer of facile prose. A misunderstood cultural icon; a perfect darkie. Survivor. Victim. Trickster, liar. These are the various lenses through which generations of critics, fans, scholars, and detractors have assessed the life of Zora Neale Hurston.