Margo’s daughter came home from school that Friday with a new friend. From the window in the kitchen, where she was trying and failing to make decent croissants for the third time this week, Margo watched the bus deposit her eight-year-old daughter, Anya, and some unknown boy, which was odd because the town was so small and Margo had often been at Anya’s school to volunteer and had no memory of him.
Reney’s bones can feel a fight long before the rest of her wakes to the rising voices and clattering bottles. She is eight, almost nine. Granny and Lula live in a new rent house across the tracks and down a long hill, not so very far. Over there—standing on a chair rolling up balls of dough as Granny’s hearing aids whistle, or lying curled into Granny’s great body napping—is Reney’s best place. But Reney knows that her place is with her mom.
Before I leave for good, I lift the pie server a final time, drop the receipt facedown next to the lemon blueberry slice, then my apron in the parking lot
Despite President Trump’s fatuous protests about the “Deep State,” we seem to be in a similar place with respect to entertainment relating to the intelligence community, and the Central Intelligence Agency (CIA) in particular.
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