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“They say the Bataclan was the first attack on music,” says Bart, “but ’twas not. ’Twas the Miami Showband.” Bart’s come to help me set up a projector at Trinity College, where I’m to talk today about Instagram. We project one o [...]
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The week before it closes for good, High Bridge Arms feels both cluttered and bare. The rifles and shotguns that once lined a wall like ribs are gone, sold. So are the T-shirts (“SAN FRANCISCO’S LAST GUN SHOP”), which sold out within days [...]
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For the last twenty years or so, in whatever city I’ve been living in, I’ve gone to a museum every week. This has been less regular since I moved to Cambridge, Massachusetts, and had children. Now I find that, even without them, I go hurrie [...]
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Maseits’iro Seits’iro sits down at a table in her small office and lights four tall candles so she can receive prophecies from the ancestors. A seashell beside the candles helps her see evil spirits, the “heathens.” As a child, she foug [...]
The fourth installment of #VQRTrueStory—our new social-media experiment in which stories and images cross platforms, from Instagram to the website to the magazine—features Jamie Alliotts's encounters on the sidewalks of Manhattan.
The third installment of #VQRTrueStory—our new social-media experiment in which stories and images cross platforms, from Instagram to the website to the magazine—features Julia Cooke in Mawlamyine, Burma.
The second installment of #VQRTrueStory—our new social-media experiment in which stories and images cross platforms, from Instagram to the website to the magazine—features Lauren Markham reporting on migrants in Central America.
For #VQRTrueStory, our new social-media experiment in nonfiction, Meera Subramanian reports on a changing India. Follow @vqreview to keep up with the project.
#VQRtruestory is our new social-media experiment in nonfiction, bringing readers compelling stories and images from around the world, all through our Instagram feed.
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