At first among certain shadows you felt forbidden to ask whose they were.
MetrophobiaI, too dislike it, or at least I findtoo much of it bromidic and unrhymed,
Above me in the nightMy unknown neighbors walk Across a creaking floor
The ghost of the nineteenth centurystill stalks the eaves of the hurricane house, its clapboard sheaves
When I hear that boy sing, I said, every otherBoy becomes a disappointment. Tiny wince
You flared across Bostonlike a meteor, blond mane and lowered browin every coffeehouse off the Charles.
The town, my dear, is closing down: dead-Bolts slipping into their sleeves, cicadas insisting
These arms, after all,are open for no oneelse. Posture of air
Come work with me awhile, Hayden,I can use your company in the shed among tools your hands have never lost
Apollinaire experimented with audacious techniques for generating verse. On occasion he would sit in a café and weave overheard phrases into the composition. Read David Lehman’s translation of “Zone,” the central poem in Apollinaire’s...