Rich’s insistent critique of capital as it relates to issues of language, nationhood (and personhood), collective action, and American empire links her critical stance to a compelling wave of recent publications outside the world of...
In the “Artworks (II)” section of “Usonian Journals 2000,” Adrienne Rich describes the breakdown of a conversation between a group of friends: “Not a pause but: a suppression. No one is monitoring this conversation but us. We know the air...
The work of Adrienne Rich belongs instead to a legacy that fuses surface effect with affect; whose cultural style, too, can join outrage and joy. Such affirmative promise is what Kenneth Burke referred to as one of shaping attitudes or...
