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Trevor Quirk

Trevor Quirk has written for Harper’s, the New Republic, Five Dials, Texas Monthly, Boston Review and other publications. He holds a graduate degree in science journalism from Boston University. 

Author

Children of Doubt

Winter 2019 | Criticism

Pascal’s wager—that saw of Christian apologetics—is conventionally understood to demonstrate that human beings deny the Christian God’s existence at the risk of perdition. The seventeenth-century French polymath Blaise Pascal weighed the infinite torment awaiting unbelievers under God’s Providence against the finite pleasures of living as an atheist in a godless universe. He concluded, regardless of the deity’s actual existence, that the only rational choice is to adopt cautious belief.


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<em>Paraliterary: The Making of Bad Readers In Postwar America</em>. By Merve Emre. Chicago, 2017. 304p. PB, $27.50.</p>

A Literature Worth Loathing

Spring 2018 | Criticism

In his newly translated book, The Hatred of Literature, critic William Marx argues that celebrated minds like Heraclitus and Rousseau became utter lightweights when reading literature. Their insults, like all insults against the art form, were largely unoriginal and wouldn’t change much. “Real innovation is rare in anti-literature,” Marx writes. Presumably, this is why Marx was able to structure his investigation by four categories that sweep across Western history. These are the great “trials” of literature: authority; truth; morality; society. Hatred reads like an overblown victimology of literature in that its assailants have never presented a lethal threat. Belied, banned, or burned, stories and poems find a way of transcending their plight. For Marx, the true annihilator of literature is simply “indifference.” Against the coming wave of mass indifference, we can do nothing but join him in a helpless prayer: “May the gods prevent that day from ever arriving.”


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<i>Why I Read: The Serious Pleasure of Books</i> by Wendy Lesser. Farrar, Straus and Giroux. Hardcover, 240p.

The Criticism of Exhaustion

March 31, 2014 | Criticism

Two centuries ago it would have been reflex to name the dominant novelist or poet of your generation; eclectics might’ve named a few. Today that’s not so easy. Who are the children of postmodernism? The paragons of millennial literature? Dozens o [...]