By the time Kathy Acker died, in the autumn of 1997, I was nineteen and fully under her spell, having discovered her just a few years before. Her work brought me to all sorts of feelings—lust, rage, shame, guilt, rebellion, liberation, ecstasy, transgression, indulgence. If you were the type of nineties kid I was, piercings and tattoos and all kinds of body modifications interested you, and so her look—buzz-cut bleached blonde in a leather jacket with smeared red lipstick and smudged black eyeliner, with all sorts of visible ink and metal—appealed as well. She looked like a rock star and even now I think she was the only one the literary world ever really got. At one point, a wealthy Manhattan artist I briefly fell in love with gifted me one of her original proofs for The Adult Life of Toulouse Lautrec, which I keep next to my bed at all times. It feels lucky somehow.