Denise Nestor is an artist and illustrator. Her illustrations have been featured in a number of publications, including the New York Times, the Guardian, New York Magazine, Esquire, and the Atlantic. Her work has been included in a number of exhibitions, both domestic and international. In 2016 and 2017, her work was selected as part of the Royal Hibernian Academy summer exhibition.
In his response to my first letter to him, Charles Wright said of my own decision to write poems, “I hope it gives you what it has given me—a life.” I took this wide view from such a hard gazer of a poet as both balm and call.
Claire Schwartz: According to the poet Marie Howe, who studied with Joseph Brodsky at Columbia, Brodsky said: “You Americans are so naïve. You think evil is going to come into your houses wearing big black boots. It doesn’t come like that. Look at the language. It begins in the language.” You’ve written about the relationship between language and the social imagination—in particular, about the ways that totalitarian regimes in Russia and, more recently, the current government in the United States, have eroded public speech. Would you describe what you mean by that and how you see language functioning in public space right now?
Masha Gessen: For totalitarian regimes, language is an instrument of subjugation. It’s a way of controlling both behavior and thought. Attempting to ensure that words mean what the regime says they mean is a way of undermining people’s ability to inhabit a shared reality outside of what the regime says reality is. There are all sorts of tricks the regime performs along the way—such as using a word to mean its opposite, or almost its opposite.
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