Current Issue

Since 1925, VQR has distinguished itself among literary magazines for its iconoclastic approach to American letters and the world at large. Launched in the spirit of forming “a fellowship of uncongenial minds,” this magazine has been cherished by writers and artists seeking to publish work that resists convention, and beloved by readers like you who have relied on it as a place where intellectual rigor and the delight of surprise form a certain chemistry that make it unlike any other magazine in publishing. 
 
VQR celebrates its centenary with an issue that delivers on all fronts. A set of powerhouse nonfiction is led by Joseph Earl Thomas, who heads to New Orleans to compete in the Pokémon North American International Championship, giving us a close reading into why this “pocket monster” phenomenon is arguably the most humane game on the planet. Leslie Jamison indulges in a nostalgic pilgrimage to Disneyland—this time with her own daughter, discovering a reliable fantasy that, as a parent, possesses strange and unsettling layers. Tom Bissell’s profile of legendary screenwriter William Goldman is a funny, poignant, meet-your-hero portrait that walks us through Goldman’s love-hate relationship with Hollywood, one that turns out to be as entertaining as the indelible stories and characters he dreamed up for decades.

Our portfolios are anchored by a special project with the Pulitzer Center, with dispatches from reportage illustrator George Butler, who returned to Syria just after the fall of the Assad regime last December to document this historic crossroads for everyday citizens emerging from generations of tyranny. In addition, Nina Berman’s photo diary of a dark new normal at Columbia University, where she serves on the faculty, provides a chilling bellwether of the state of higher education in America. With an introduction by historian Ellen Schrecker, the portfolio articulates what’s at stake as the Trump Administration seeks to quash academic independence. Finally, Louie Palu inaugurates his #VQRTrueStory column on the surreal dynamics of being a pool photographer covering the performance of politics.

This issue’s fiction trifecta includes Etgar Keret, Karan Mahajan, and Souvankham Thammavongsa. Poetry by Victoria Chang, Stephen Espada Dawson, and Amanda Gunn round out the issue. Illustrator Gambineri kicks off a comics noir series.

Cover illustration by Eiko Ojala. 

Spring 2025

Volume 101, Number 1

Spring 2025 Centennial Issue Cover
Print: $20.00
Digital download: $20.00

Table of contents

Reporting 
Essays 
Profiles 
Portfolios 
Fiction 
Poetry 
#VQRTrueStory 
Open Letter 
On Becoming 
VQR Vault 
Editor's Desk 

Contributor Profiles

Nina Berman is a documentary photographer, filmmaker, journalist, and professor at Columbia University.

Victoria Chang’s latest book of poems is With My Back to the World (FSG, 2024). She is the Bourne Chair in Poetry at Georgia Tech. 

Leslie Jamison is a VQR editor at large and the author of five books: The Gin Closet (Free Press, 2011); The Empathy Exams (Graywolf, 2014); The Recovering (Little, Brown, 2018); Make It Scream, Make It Bur

Born in Ramat Gan, Etgar Keret is a leading voice in Israeli literature and film.

Joseph Earl Thomas is the author of Sink: A Memoir (Grand Central, 2023) and the novel God Bless You, Otis Spunkmeyer (Grand Central, 2024), winner of the Center for Fiction First Novel Prize.

Ellen Schrecker is an American historian known for her research on McCarthyism, political repression, and American higher education.

Spring 2024 Cover; Photo by Mathias Depardon
Spring 2024
Volume 100, Number 1
Fiction Issue Cover. Photo by Adam Ekberg.
Fiction 2024
Volume 100, Number 2
Fall 2024 Cover. Cover art by Johanna Goodman.
Fall 2024
Volume 100, Number 3
Cover Photo by Cig Harvey
Winter 2024
Volume 100, Number 4