Skip to main content

Michael Chabon

The King in Black

Nine months Landsman’s been flopping at the Hotel Zamenhof without any of his fellow residents managing to get themselves murdered. Now somebody has put a bullet in the brain of the occupant of 208, a yid who was calling himself Emanuel Lasker.

“He didn’t answer the phone, he wouldn’t open his door,” says Tenenboym the night manager, when he comes to roust Landsman. Landsman lives in 505, with a view of the neon sign on the hotel across Max Nordau Street. That one is called the Blackpool, a word that figures in Landsman’s nightmares. “I had to let myself into his room.”

 

Can Stories Matter?

This issue owes its origins to Michael Chabon—though I'm sure he doesn't know it. Chabon stirred controversy last year by confessing in his introduction to McSweeney's Mammoth Treasury of Thrilling Tales that he had grown bored with "the contemporary, quotidian, plotless, moment-of-truth revelatory story."