VQR Online

On a hot June afternoon, driven by an anxiety that seems to track with the viciousness of the national mood, I visit an arcade to see if it still has the analgesic effect I craved as a lonely teenager, when I felt especially embattled...

Every day there’s the bay, every day, every night, once, it was Estero de Jaltepec:

VQR is proud to welcome Pulitzer Prize–winner Gregory Pardlo as its new poetry editor. Pardlo, a 2017 Guggenheim Fellow for Poetry, is the author of Totem, winner of the APR/Honickman Prize, Digest, winner of the 2015 Pulitzer Prize for...

One morning last June, six days after the shooting at the Pulse nightclub in Orlando, I woke up in the bed I made for myself.

VQR is proud to announce that contributing editor Elliott D. Woods has received the Whitman Bassow Award for the best reporting in any medium on international environmental issues for “The Fight for Chinko,” published in the Summer 2016...

We stack wafers the length of our arms
in half-hour rotations, inspect the chocolate coats.
You’ve eaten a Kit Kat before-—at least
you’ve seen them on newsstands next to gum,
but this isn’t about the finished product.
This is about the factory...

I press my hand to your sleep.

Then I find your spent head under small
whirling tresses

having digested the clatter
of car horns, children

bustling into sweet shops.

The summer I turned twenty-six, I stopped taking pictures. This wasn’t just out of character—this was abnegation of character, so foundational was my belief in a photographic clenched fist around the past. I have always been a writer, but I...

When Two Ponds Press, a fine-art press that produces limited-edition monographs, approached poet Richard Blanco and photographer Jacob Hessler in early 2014 for a theme on which to collaborate, it didn’t take them long to agree on a purpose...