The first time he appeared to Pablo was on the bus during the nine-thirty tour. It happened during a pause in the narration while they rode from the restaurant that had belonged to Emilia Basil (the dismemberer) to the building where Yiya Murano (the poisoner) had lived.
In Amsterdam I lived with a man who was always sad. His younger brother had died in a car crash when my lover was sixteen. Though it had been thirteen years since the accident, he carried the loss as if it were an heirloom. He had brought the loss from Copenhagen, where he was raised, to London, where we met. And now in Amsterdam, I felt it in our flat, its foggy chill. I watched him while he was sleeping and saw the sadness flutter behind his eyelids. Sometimes when he woke, he was on the brink of tears. His name was Örjan, and I began to think of the umlaut over the O as a mark of sorrow: It hovered like a shadow.
The first time I invited Örjan into my bed was right after he told me about his brother. I pulled the story out, unraveling him line by line, until he began to shudder and weep and I had to wrap my body around his. I liked his sadness, the way it made his silences seem full. When he tied on his running shoes and set out for a jog, I knew he had demons to outrun. When he stared, unblinking, into his coffee, I was sure he was thinking that if his brother were still alive, he would now be twenty-seven, the same age as me.
Antje came to Spain three years ago. She worked as a hotel maid in San Sebastián, where she met Mathis and married him. He was a manager at the hotel. He was eight years older. She was twenty-four and had left Germany after her mother died. Her mother had been in Kabul, serving as an engineer in the Bundeswehr. Antje had never traveled abroad before.