Philip Kennicott is the art and architecture critic of the Washington Post and the winner of the 2013 Pulitzer Prize for criticism. He was a finalist for the Pulitzer for criticism in 2012 and editorial writing in 2000. He was nominated for a 2006 Emmy Award and won the CINE Golden Eagle for video work exploring the role of oil money in the politics of Azerbaijan. He is a contributing editor at the New Republic, a regular reviewer for Gramophone, and a frequent contributor to Opera News.
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