This past February, I hired a cab for a pandemic-fatigued trip with a friend to the Himalayan hills in Himachal Pradesh, down the Old Manali road. It was a drowsy afternoon, the summer heat landing thick on the windows. My friend and I drifted in and out of sleep as our driver wound along circuitous roads. Listening to old Hindi songs, I started counting the Semal trees on the roadside, perched on the hills. Also called silk cotton trees, they blossom at the end of winter: leafless trees holding vibrant clutches of big red flowers.
By Emily Silverman, Illustrations by Daniel Zvereff
December 3, 2020
I can’t tell you why I rented the theater downtown, other than that it was inevitable, like the notes of a song. Facing the rows of empty velvet seats, I felt the thrust of potential. At night, doctors stood on stage telling stories—not of helicopter rides and loss of blood, but of waffling, of wanting, of grappling with themselves. The audience arrived like spirits, craving not entertainment but something more fundamental and urgent. I sat backstage, eyes closed, living and dying in every pause, every ripple of laughter. This—a live storytelling event by those in health care, for those in health care—was the first thing I had ever originated, one that came from the roiling place inside of me and not a script.
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