However good, most newspaper articles are destined for the same fate as yesterday's lead story—they wrap fish or line garbage cans. Sometimes, however, fate spares them such ignominy and places them between hard covers. This was the case recently when Henry Holt brought out two collections of pieces originally published in The New York Times—one, an investigation of "how race is [currently] lived in America"; the other, a sampling of writers talking about writing. Let me begin with the former, not only because the series was awarded a Pulitzer Prize, but also because race remains a tricky, paralyzing subject. What the editors hatched up was surely an ambitious project, one that promised to be more than the "usual mosaic of dreary census, school, and income statistics, studded with pious quotations from the civil rights era of blessed memory or from academics and clergymen speaking earnestly." The result takes us to a slaughterhouse in Tar Heel, North Carolina, a restored plantation in Natchitoches, Louisiana, and a platoon in Fort Knox, Kentucky. We meet, among others, a white quarterback who played ball at a historically black college, a white rapper on the college lecture circuit, and two young wheeler-dealers, one white, one black, as they make their way up (and down) the e-business fast track. Above all else, the series wanted to give race in America a human face, or perhaps more correctly, a series of human faces. To accomplish this, the Times assigned reporter(s) to cover 15 especially juicy stories, and then gave them the time necessary to watch as the arc of the respective sagas unfolded.
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