Poetry

1. Annie Edson Taylor (1901)

Don’t hate me because I sent the cat first.
Darling, desperate times require—
well, they require.
I told the little girl who owned the cat 
I’d buy her a new one.

When you are young,
and he kisses you
from the side.

The muscles in his jaw—
I see them.
The infinite 
desperate stretch of his,
rendering the whole
of blunt language 
insufficient.

I didn’t say I loved you but I did 
and also him, the one who stole away, 
with all my sacraments
wrapped in his curling laugh, 
thief of my night.
We find ourselves together,
cobbling a mystery of fleshes 

the world is made perfect why not rebuild here lies the water made of motion same day different peace is a matter of time

Train on the rails
Moon buttonholes the sky
The sorrow, the sails
Your hand, my thigh.

Moon buttonholes the sky
Lines trail airplanes
Your hand, my thigh
Doors close again.

is fragile as speech in answer when you ask me please go light the fire in the drum

Turn out the light and I’ll explain. 
—James Fenton

It’s where I’m heading
It’s what I overheard
The lines in the corner
The flaming word.

It’s what you expected
Your greatest fear
A chip in the teacup
Bills from last year.

truth is the enemy it’s over the best part about terror is territory together we opened the border

I dream us young, again,
mother and daughter back
on 69th Street inside
our old brownstone—across
from the church, patch of lawn— 

a house neglected, wrecked,
as if the family
had been forced at gunpoint
to move away. In corners
dirt stacked like...

curbside on an Arp-like table. He’s alone
of course, in the arts district as it were, legs folded, 
swaying a foot so that his body seems to summon 
some deep immensity from all that surrounds: