In keeping with the theme of our fall issue—Breaking Through—VQR is featuring the work of five promising photographers in an expanded portfolio, all selected from LOOKbetween 2014, an intensive three-day event produced by the LOOK3 Festival...
Does the prospect of love lure a man forward into refuge or is it the inevitable hazard of a lived life? What’s the fair-market worth of the word possibility these days? How tightly is the pursuit of happiness indexed to the commonweal? And...
Poetry is broken language. Even in its “prose” incarnations—proems, prose poems—when lineation is not formally observed, poetry works the break. It interrupts, truncates, burglarizes. Poetry ruptures and ameliorates.
And so they meet for drinks at the open court in the shopping plaza, something that happens quite often as they are wives with no jobs (depending on how you look at it) or wives with jobs (also depending on how you look at it)…
Congratulations to Elizabeth McCracken, whose story collection Thunderstruck has been longlisted for the National Book Award. Included in Thunderstruck is “Peter Elroy: A Documentary by Ian Casey,” which appeared in our Spring 2014 issue.
Well into the wee hours, I stumbled downstairs and stretched out on an overstuffed leather couch, with several copies of the American Scholar to speed me into dreamland. And it was there that I discovered Joseph Epstein, or Aristides, as...
Though Jones was gentle about the story’s deficiencies, it was clear he was frustrated. I think this was because it was clear to him that the basics of humanity shouldn’t be that difficult to express. He spent an hour and a half going over...
