Fernandes stole a look at the scene below. Bodies lay scattered on the station floor, slicked in blood. The gunmen scanned and swiveled. They shot from the hip, in steady bursts. On any other day, Fernandes would have taken them for college boys on their way home. These were no students, though. The ease with which they wielded their weapons amid the panic betrayed a professional’s mien.
In the PM newsroom, two men listen to the strains of a narcocorrido drifting from a police scanner. The vague shrill discord of accordions and a brass band echoes in the glass office until a burst of distortion shatters the ill-begotten melody and imposes a staticky silence. They know in the expanding quiet that someone will die tonight.
In Juárez, people vanish. They leave a bar with the authorities and are never seen again. They leave their homes on an errand and never return. They go to a meeting and never come back. They are waiting at a bus stop and never arrive at their assumed destination. No one really knows how many people vanish. It is not safe to ask, and it is not wise to place a call to the authorities.
who disappeared from Shanghai and whose body, his brother believes, is now on display in New York City in an exhibition of plastinated cadavers
In some province a hemisphere from here you tapped at your grandmother’s kneecap, her elbow crooked in [...]
While visiting the Tuol Sleng Genocide Museum, a former Khmer Rouge prison camp in Cambodia’s capital city of Phnom Penh, Binh Danh studied closely the mug shots of former prisoners. Danh, a Vietnamese-born artist whose family fled to a refugee c [...]
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