By Gregory McNamee, Illustrations by Lauren Simkin Berke
March 2, 2020
We’re a worried bunch, we Americans. We’re anxious. We’re gloomy, even doomy. We’re angsty, despairing, depressed. There’s a widespread sense that things are certainly not right with the world, and perhaps not right with us. If Dickens were with us, he might call it the most uncool of times.
Maybe Cape Cod is fertile ground for existential transformation. Something about the metals in its sandy soil catalyzing metaphysical shifts—I don’t know. All I know is I had my entire worldview rearranged when I was visiting its shores.
The first time he appeared to Pablo was on the bus during the nine-thirty tour. It happened during a pause in the narration while they rode from the restaurant that had belonged to Emilia Basil (the dismemberer) to the building where Yiya Murano (the poisoner) had lived.
We parents signed in and entered the waiting area of the boys’ ward that doubled as a family room during visiting hours. We migrated to the far corners of the room, as far away as possible from one another, as if afraid of contagion. Maybe it was easier that way for us to think, “My kid is different from theirs; he isn’t really fucked up or suicidal, or violent; he’s just going through a rough patch, a phase.” We sat in silence, waiting for our sons; under bright fluorescent lighting that gave us all a sickly pallor, we looked anywhere but at each other; we looked at the rubber furniture, the grimly cheerful yellow walls, the message boards here and there scribbled over with institutional graffiti: goals for the day, prayers, bromides, warnings, rules. We were seeking some measure of privacy in a room whose every feature declared No Privacy Allowed.
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