By the time we finalized the layout for Ara Oshagan’s photo essay about the Armenian diaspora in Lebanon, his decade-long project comprising memoir and documentary, Russia’s invasion of Ukraine was underway, with horrific consequences.
The last US service member to leave Afghanistan’s soil after nearly twenty years of war did so just a minute shy of the midnight deadline on August 30. The gruesome chaos that unfolded in the days leading up to that departure, after the hasty withdrawal of US and NATO troops unleashed a rapid sweep of Taliban forces that recaptured the country in less than ten days, left many of us wondering what all the sacrifices of a twenty-year war had been for.
When the glacier finally melted, the last of the green turned yellow and brown and the dry season came like an omen. Its white-blue ice had given water to all thirteen communities of Quispillaccta in Peru and, to women and men wise enough to receive them, messages: Plant here; plant that.
Historical fiction—our most inclusive of literary genres—is, by definition, fiction set in the past, typically a bygone era with which we and the writer likely have no lived familiarity. Fascinating period details abound and sometimes notable f [...]