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We’re a worried bunch, we Americans. We’re anxious. We’re gloomy, even doomy. We’re angsty, despairing, depressed. There’s a widespread sense that things are certainly not right with the world, and perhaps not right with us. If Dickens were with us, he might call it the most uncool of times.

In the fall of 2005, at the shuttle terminal of New York’s LaGuardia airport, I entered the security line and noticed, in front of me, a slight and slightly stooped older woman. After a couple of blinks, I recognized Joan Didion.

The man appeared suddenly, out of the darkness and around the bend. He was standing to the side of the asphalt, near the edge of the floodlights illuminating a barricade of orange traffic barrels and, beyond, a great pile of dirt disappearing into the night. Half of the mountain road was blocked off—was, in fact, no road at all past the barricade and the pile.

On Disability and Desire