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Notes to Self

Drawings of the twelve labors of Hercules, part of Tinti’s thematic map for her new novel.

Hannah Tinti’s Notes to Self

Tinti recognized herself in Barry’s portrait of the lapsed artist. “I took her lecture to heart,” she says, and decided to commit herself to doodling, sketching, drawing.

Photographs by John Wray

John Wray’s Notes to Self

John Wray sees novels as falling into one of two categories—arrowheads or fruitcakes—whose modus operandi are distinct. “There’s the kind of novel that’s formed on the principle of exclusion, in which your goal is something very flinty and sharp and generally not very long. Those would be the arrowheads.” (See A Farewell to Arms, for example.) “Then there are the fruitcakes, which accrue on the basis of inclusion, in which almost anything could potentially be incorporated into the narrative as long as it’s interesting or amusing or bizarre.” (See Moby-Dick.)

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