Winter 2021

VQR’s Winter 2021 issue engages questions of identity—how we perceive ourselves and others, and how those perceptions change. In one essay, Peter Trachtenberg reassesses his understanding of his father’s migration story—and by extension the man himself—through documents he inherited after his father’s death, comparing the ink on the page to the man in the flesh that he knew. Lars Horn’s essay turns the microscope inward, to look at self-transformation and self-discovery, brought to the fore through an unexpected pilgrimage. In a wry, shrewd memoiristic essay, JoAnna Novak reflects on the suspended joys of excess by realizing, to her surprise, that what she longs for in the midst of the pandemic is the luxuriously open-ended all-you-can-eat buffet. These pieces are complemented by others on one-dimensional narratives, the unreality of social media intimacy, the transformative power of tragedy in youth, and even the unexpected rebirth of an idyllic landscape that had been written off as a site of environmental ruin long ago.

Winter 2021

Volume 97, Number 4

Virginia Quarterly Review, Winter 2021 cover
Print: $14.00
Digital download: $14.00

Table of contents

Essays 
Photography 
Fiction 
Poetry 
On Becoming 
Editor's Desk 
#VQRTrueStory 

Contributor Profiles

Lydia Conklin has received a Stegner Fellowship, a Rona Jaffe Foundation Writers’ Award, three Pushcart Prizes, a Creative Writing Fulbright in Poland, a grant from the Elizabeth George Foundation, and fellowships from Emory, MacDowell, Yaddo, Hedgebrook, Djerassi, and elsewhere. Their fiction has appeared in Tin House, American Short Fiction, and the Paris Review. Their first story collection, Rainbow Rainbow (Catapult, 2022), is forthcoming.

Jade Doskow is a New York–based architectural and landscape photographer best known for her works Lost Utopias, Freshkills, and Red Hook. Doskow holds a BA from New York University’s Gallatin School and an MFA from the School of Visual Arts.  Doskow’s photographs have been featured in the New York Times, Aperture, and Smithsonian, among others. Doskow is on the faculty of the International Center of Photography and the City University of New York.

Rebecca Hazelton is an award-winning poet, writer, critic, and editor. Her first book, Fair Copy (Ohio State, 2012), won the Wheeler Prize from Ohio State University Press. Her second book, Vow (CSU, 2013), was an editor’s pick from Cleveland State University Poetry Center. Her most recent book of poetry, Gloss (Wisconsin, 2019), was a New York Times “New and Noteworthy” pick. 

Hannah Reyes Morales contributes photography and writing to the New York Times, the Washington Post, and National Geographic, among others.

Peter Trachtenberg is the author of 7 Tattoos: A Memoir in the Flesh (Penguin, 1998), The Book of Calamities: Five Questions About Suffering and Its Meaning (Little, Brown and Company, 2008), and Another Insane Devotion: On the Love of Cats and Persons (Da Capo, 2012). His essays, journalism, and short fiction have been published in the New Yorker, Harper’s, BOMB, the New York Times Travel Magazine, A Public Space, and VQR. Trachtenberg is an associate professor of English at the University of Pittsburgh and a member of the core faculty of the Bennington Writing Seminars. He’s currently working on a book of nonfiction, The Last Artists in New York (Black Sparrow, forthcoming 2023).

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