Winter 2022

The Winter issue brings together a range of provocative work distinguished by risk-taking and uncommon perspectives on familiar themes. Scholar Ed Pavlić reflects on the meaning of his insistence to live a racially nonbinary life, a nuanced self-definition that defies the polarized racial categories of contemporary American culture. Elsa Julien Lora addresses an all-too-common but woefully under-discussed health-care issue among Black women—uterine fibroids—as a vehicle for an intricate meditation on Black maternal health care and female legacy. Photographer Kris Graves approaches the catastrophe of California’s wildfires almost counterintuitively, long after the blazes are out, to build a visual narrative of the landscape’s uneasy new normal. Fiction by Farah Ali, Kalani Pickhart, and Jenzo DuQue takes us from student protests in Karachi to Ukraine in the Second World War to tense US–Colombia relations around the turn of the twenty-first century in Cartagena. Meghan Flaherty dives into the strange trend of ecosexual marketing online, while Kate Zambreno finds symmetry in—of all places—the monkey house of a Paris zoo. Megan Buskey and Dionne Ford contribute to the #VQRTrueStory project; columnists Jim Coan (Drawing It Out), Raj Telhan (Human Practice), Laura Kolbe (Art & the Archive), and Anuj Shrestha (Open Letter) return; and poetry by Diedrick Brackens, Martín Espada, Dave Lucas, and Lisa Russ Spaar.
Winter 2022

Volume 98, Number 4

Virginia Quarterly Review, Winter 2022 cover
Print: $20.00
Digital download: $20.00

Table of contents

Essays 
Photography 
Fiction 
Poetry 
Editor's Desk 
Open Letter 
Drawing It Out 
#VQRTrueStory 
Art & The Archive 

Contributor Profiles

Diedrick Brackens is a poet and visual artist based in Los Angeles. His poems have appeared in Fourway Review, Boulevard, and the lickety~split. His visual work has appeared in the New York Times, Art in America, W magazine, and at institutions such as the New Museum in New York City, Hammer Museum at UCLA, and New Orleans Museum of Art.

Kris Graves is an artist and publisher based in New York and California. He received his BFA in Visual Arts from SUNY Purchase College and his work has been published and exhibited globally, including at the Museum of Modern Art, New York; the Getty Institute, Los Angeles; and the National Portrait Gallery, London. His work is in permanent collections at the Schomburg Center; the Whitney Museum; the Guggenheim Museum; the Museum of Fine Arts, Houston; the Brooklyn Museum; and the Wedge Collection, Toronto.

Elsa Julien Lora is a doctoral candidate in African and African American studies at Harvard University and is a student at Yale Law School. Her research interests include domestic labor, Black family life, and the social history of prisons. Originally from Brooklyn, New York, she received her BA from Wesleyan University. Her work is published in venues such as Public Books, Synapsis, and Aperture. 

Ed Pavlić has authored more than a dozen books written across and between genres, most recently: Call It in the Air: Poems (Milkweed, 2022); Outward: Adrienne Rich’s Expanding Solitudes (Minnesota UP, 2021); Another Kind of Madness: A Novel (Milkweed, 2019); and Who Can Afford to Improvise?: James Baldwin and Black Music, the Lyric and the Listeners (Fordham, 2015). He is distinguished research professor of English and African American studies at the University of Georgia. 

Kalani Pickhart is the author of I Will Die in a Foreign Land (Two Dollar Radio, 2022), winner of the 2022 New York Public Library Young Lions Fiction Award and long-listed for the Virginia Commonwealth University Cabell First Novelist Award.

Spring 2025 Centennial Issue Cover
Spring 2025
Volume 101, Number 1
Spring 2024 Cover; Photo by Mathias Depardon
Spring 2024
Volume 100, Number 1
Fiction Issue Cover. Photo by Adam Ekberg.
Fiction 2024
Volume 100, Number 2
Fall 2024 Cover. Cover art by Johanna Goodman.
Fall 2024
Volume 100, Number 3