Current Issue
This issue of VQR features a portfolio and essay by veteran photographer Louie Palu, who reflects on two decades of photographing politics in the nation’s capital. In all that time, one constant has been a healthy dose of spectacle and theatrics; amid this, Palu’s instinct for the details and angles most of the press pool ignores—in the margins, at the edges of the frame, even from the worst position in the room—allows his images to tell a deeper story behind the lede.
Two personal essays anchor our nonfiction. Mike Mariani explores his lifelong fascination with villains, uncovering in them an empowering defiance of the status quo. And Hanna Saltzman, a pediatric rheumatologist, traces the historical role the X-ray played for generations in her family of physicians and confronts the impossible promise to “do no harm.” Both Mariani and Saltzman find just how thin the line is between hero and villain, healer and wrongdoer, thinner than expected.
The fiction comes stacked nine stories deep. Daniel Borzutzky imagines a future shaped by authoritarianism and disinformation, where counting becomes a way to reckon with a past that some would rather erase. In Leslie Bazzett’s story, a dinner-party conversation about truth and imagination gives way to deeper uncertainties about class, memory, and the stories we tell about ourselves. Nyuol Lueth Tong follows a father caught between his duty to his sick daughter and to a system that has failed to provide the care she needs. Tommy Orange writes about two young boys whose encounter with a truck driver turns a desperate journey into something far more sinister. Brett Anthony Johnston, David Lloyd, Sara Houghteling, and Kayla Jean Murphy also contribute stories whose protagonists find themselves at the mercy of forces they’d rather control.
Wale Ayinla, Chelsea B. DesAutels, Asa Drake, Rebecca Hawkes, and Rowan Ricardo Phillips contribute poetry.
Cover photo by Louie Palu.
Volume 102, Number 2