Volume 97, Number 2
Our Summer issue deconstructs notions of leisure and freedom. In our cover story, Erika Meitner and Anna Maria Barry-Jester ruminate on Miami’s changing landscape as sea levels rise. Elias Rodriques observes a mother’s complicated repatriation to Jamaica; Rachel Greenwald Smith confronts privilege in lockdown; and Terrance Hayes imagines a Jasper Johns exhibit within a radically transformed White House art space. Other features include a portfolio of Elise Engler’s daily illustrations of the news; fiction by Claire Boyles, Nina MacLaughlin, and Erin Kate Ryan; and poetry by Ama Codjoe, Airea D. Matthews, Christopher Soto, and Tomás Q. Morín.
Volume 97, Number 1
This issue marks the first anniversary of the coronavirus through features that share themes of separation and dissonance—both physical and ideological, personal and public. Features include Dina Litovsky’s photo essay on the atmosphere of Manhattan’s first lockdown last spring; May Jeong’s report on the repatriation of Afghan migrants to a home country they barely know; Ryan Bradley on the worlds we find underground, which few of us even know about; T Kira Madden’s short story on the splitting of a self in grief; and Rachel Vorona Cote on the strange anachronisms that make recent period dramas so unique.
Volume 96, Number 4
The essays in our Winter issue showcase writers displaying a fundamental talent—that of deep, lucid inquiry into widely shared experiences. Julia Cooke offers a kind of close reading of the birth narrative—its power and its politics; Pamela Erens mines fresh critical insight from the novels of literary phenomenon Elena Ferrante; Simon Han, meanwhile, tests a new metaphor—that of sleepwalking—for the experience of living through 2020; and in the final installment of his borderlands trilogy, Francisco Cantú explores the origins and cultural power of Tejano-music titan Selena. Other features include a story, reported in collaboration with the Food and Environment Reporting Network (FERN), on the growing popularity of homesteading in the age of the pandemic; photographer Brian Palmer’s sublimely rendered visual documentary of forgotten African American burial grounds; and fiction and poetry that forgo convention for more adventurous constructions of interior life. (Cover Art: Hudson Christie)
Volume 96, Number 3
This far into a century of upheavals, what does it mean to practice citizenship? How have our expectations—of our neighbors, of our institutions, of ourselves—evolved to respond to the influences of the age we live in? Can the ideals of citizenship transcend national interests? The Fall issue on citizenship in our century is neither prescriptive nor comprehensive, but exploratory, holding up the concept of citizenship to see the truths refracted through it. Through reporting, fiction, poetry, photography, and even fable, we ask questions that are vital to understanding the ways in which citizenship reaches through daily lived experience.
Volume 96, Number 2
This issue, the second of our summer-fiction biennial collection, landing in a year of surreal global emergency and sustained anxiety, celebrates the power of fiction to fortify our human connections from afar, and to expand our sense of self. It also features a vital selection of poetry, essays, criticism, and comics, as well as reporting on how a small but mighty magazine works to protect India’s threatened free press.
Volume 96, Number 1
The cover story for our spring issue explores the phenomenon of vicarious trauma among immigrant advocates. The issue also features essays that look at the intersection of disability and desire, the imitation of natural architecture, and the resonance and dissonance between imagined and real landscapes. Other features include fiction by Kevin Wilson and Kelli Jo Ford; poetry by Joy Priest and Kevin Young; and art by Stu Sherman and Beverly Acha.